As you may have guessed from the counter on top, I've been spending time with my kallah and that's why I haven't been posting. I'll be back in the near future!
Jun 26, 2009
Been Busy!
As you may have guessed from the counter on top, I've been spending time with my kallah and that's why I haven't been posting. I'll be back in the near future!
Jun 22, 2009
Barcheinu by Sandy Shmuely
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(Via JewishInsights)
Introducing the first track from his eighth album. Sandy Shmuely, a well known Israeli-American artist, is about to complete the preparations for another album of Jewish music, his eighth. The album was recorded here in Israel, an all Israeli production.
Shmuely is expected to arrive in Israel imminently in order to put the finishing touches to the album, which will be released towards the end of the summer.
Shmuely may live in New York, but he constantly lives and breathes Eretz Hakodesh. “All my friends, and my whole family live there, I am on top of everything that goes on in Israel, from a political, social and artistic point of view, I constantly listen to the news in Hebrew and keep a close watch on what is going on. In fact”, he explains, “I may live in the galut but speak Hebrew the whole time…”
Shmuely and his band perform almost nightly at celebrations all over the west coast. In addition, he is musical director of no less than four yeshivas and colleges in New York, producing plays and directing appearances, as well as working with choirs from these institutions. “My greatest satisfaction is when a children’s choir performs songs that I have written, this also keeps me in touch with what is happening today.”
Shmuely (52) is no longer a child himself, yet relates easily to the latest styles of music, and is considered one of the most creative forces in Jewish music today. The latest album contains 11 tracks that vary in style from the original to the traditional, all created by Sandy Shmuely, and arranged and produced jointly by Shmuely and Asher Lugassi, an Israeli musician who owns a recording studio in the north of the country.
Jun 21, 2009
Berry Weber - NOW AVAILABLE!
Berry Weber's debut album, Biezras Hashem Yisbarach, can now be purchased through Mostlymusic as a CD or through download!
Jun 20, 2009
Pictures from the B'Derech Concert
(Via Facebook - Pictures by Sruly Green)
This concert, which was held in Brooklyn, this past Thursday, June 18th was packed with up and coming Jewish music vocalists.
(In the order that they appear below) Berry Weber, Yoni Zigelbaum, Shea Rubenstein, Yoely Lebovitz, and Yossi Fraenkel.
This concert, which was held in Brooklyn, this past Thursday, June 18th was packed with up and coming Jewish music vocalists.
(In the order that they appear below) Berry Weber, Yoni Zigelbaum, Shea Rubenstein, Yoely Lebovitz, and Yossi Fraenkel.
Jun 19, 2009
Yossi Fraenkel - Giving back to the Chabad community
"Singer Yossi Fraenkel Offers Free Performances to Chabad Houses, Chabad Tzedakos and Fundraising Dinners: “I Want to Give Back to The Rebbe and Those Who Give to Many More.”Yossi Fraenkel a well known and popular Jewish singer has announced his offer to perform free of charge at events held by charities and other nonprofit organizations for the duration of 2009. “Chabad Houses and other Charities face so many obstacles in the current economic crisis, with more people in need, and fewer donations pouring in,” Yossi explains. “I want to give back to the Rebbe who's bracha and dollar accompanies me at every show, as well as all those who give to others.” His magnanimous offer extends to all charities and nonprofit organizations who seek to enhance their events with professional vocal entertainment. Instead of having to set aside a large part of their budget to obtain a musical artist, Fraenkel will now provide that for them, free of charge. Yossi Fraenkel has performed throughout the United States, Israel and Europe. His audiences have included various elected officials and religious leaders. Yossi performs at special needs homes, schools, events and Kumzites on a regular basis as well as being on call every day for Mekimi to go sing at hospital beds of sick patients. He is sought after at weddings, Sheva Brachos and other Simchas throughout the country.
Organizations seeking to accept his generous offer should contact Yossi Fraenkel by visiting his website, www.jewishsinger.com . Alternately, he can be reached by phoning 917-677-4545. Yossi’s gracious offer is emblematic of the initiative needed to quell the effects of the recession on our communities at large. It is his hope that others will follow his example and give generously.
Jun 18, 2009
Rocky Ziegler and Aaron Razel
(via YouTube user yerachmielz)
Yerachmiel and Aaron Razel team up for a new album called "The Secret of Shabbos" www.myspace.com/yerachmiel
What are my thoughts on this? I think they both look like they're a little off their rockers (see the piece on the roof to catch my drift), but we need a little bit of that in the world. It's actually a very sweet and pleasant song though. Enjoy! :)
Yerachmiel and Aaron Razel team up for a new album called "The Secret of Shabbos" www.myspace.com/yerachmiel
What are my thoughts on this? I think they both look like they're a little off their rockers (see the piece on the roof to catch my drift), but we need a little bit of that in the world. It's actually a very sweet and pleasant song though. Enjoy! :)
Jun 17, 2009
Oorah's "The Shmorg" Download for FREE
Mostlymusic continues to deliver. I've noticed that ever since they added Sruly Meyer to the team, they have become way more informative. In general, the site is more up-to-date and fresher. The only thing they have yet to update is their "Free Weekly Download" option, there hasn't been one of those in a while.
This Free download (below) was given out as part of the mostlymusic June newsletter. If you're a Jewish music fan (if you're reading this, you probably are!), then I highly suggest you subscribe to their newsletter. You can subscribe by going to this LINK and filling out your e-mail address.
Oorah 10 Song CD Now Available for Free Download!
Oorah 10 Track CD - FREE!
We are excited to offer to you, in conjunction with Oorah.com, the recent Oorah CD release as a free download on MostlyMusic.com. Oorah put together ten beautiful tracks featuring many hot singers from the industry. Lipa Schmeltzer, Yehuda Green, Michoel Pruzansky, Eitan Katz, Yosef Chaim, Avrumy Schwebel , Moishy Mendlowitz and introducing the 2009 Oorah Auditions winner, Yonaton Shlagbaum.
You can now download the entire CD through MostlyMusic.com.
Berry Weber Sampler!!!
Berry Weber, who's video single Be'eilokim can be seen on YouTube, is set to release his debut album "Bezras Hashem Yisbarach" in 2 weeks.
In a Jewish music first, fans were able to watch the evolution of this cover on his facebook fanbook page. Now after hearing from the fans, and many hours of work, the cover is final and ready to be released.
The CD has 14 songs composed by Lipa, Motty Ilowitz, David Kaufman, Isaac Altman, Yoel Hersch Fuchs and Berry himself. The CD has aranged by MONA, Shua Fried, Ruli Ezrachi, Shai Bachar, Naftuli Y. Mendlowitz.
You can find moe information about Berry and his upcoming CD at his website, http://dervaiber.com/
The Music Video:
http://www.youtube.com/watch?v=AKVhFLYRwzA
Dina Storch Classics
Presenting the first of STEProduction’s albums THERE’S A PLACE IN MY MIND, songs that penetrate the depths of the Neshama, starring Avrumi Flam, who has magnificently pulled together this tremendous production.
Although these songs have been very popular for many years, they were never released to the public before. This new release, sung by Avrumi Flam along with with Yehuda! and Dov Levine, is now available to the entire listening population.
The need for Jewish music with themes that are educational, build character and strengthen yiras shomayim is crucial.
We look forward to sharing over 35 years of songs written by Mrs. Dina Storch with the special engineers who have been part of it and those who are new to it.
B'Derech concert with Shea Rubenstein TOMORROW NIGHT!
For Men Only
Start Time: Thursday, June 18, 2009 at 9:00pm
End Time: Friday, June 19, 2009 at 4:00am
Location : 155 Water Street - Corner Pearl Street
Brooklyn, NY
for sponsorship, directions, tickets, and all other information please contact B'Derech
Yosef Chaim Shwekey - Emes & Hashleich (Two full songs)
Hu - Now in stores!!!
Saving lives has just been given a new format! A new album Titled “Hu” has just hit the stores this week featuring new comer Yudi Abraham, a dedicated Hatzalah member, & Jewish music veteran Ira Heller. ALL proceeds go directly to benefit Hatzalah of Union County NJ. This CD is a two song single which will be released thru Gal-Paz and sold for $3.99 in all music stores. Presented by Ozer Babad with an incredible arrangement by the legendary Yisroel Lamm, this CD is a must have! Its first track titled “Kol Ha’mekayim” has an actual Hatzalah call incorporated into the song. The second track is titled “Hu” with lyrics from Birchas Hagomel. Both songs are composed by Yudi Abraham with vocals performed by Yudi & Ira. So be a part of it, enjoy the music, and most of all HELP SAVE LIVES!
"Nachum hosted Yudi Abraham & Ira Heller live at JM in the AM to debut their new CD entitled “Hu” that will benefit the Hatzalah of Union County. Nachum and guests discussed these great new songs and how this important project came together. Presented by Ozer Babad, all the proceeds of Hu go directly to benefit Hatzalah of Union County, NJ. Its first track titled “Kol Ha’mekayim” has an actual Hatzalah call incorporated into the song. The second track is titled “Hu” with lyrics from Birchas Hagomel. Both songs are composed by Yudi Abraham with vocals performed by Yudi & Ira. Click HERE to listen. (via JewishInsights)"
Jun 16, 2009
Mostlymusic continues to deliver!
Oid Yosef Chai 2 and Shloime Kaufman's Avodas Tzedakah is now also available for download. ($11.99 for INSTANT download of the cd ....)
Oid Yosef Chai 2 - Yosselle Rosenblatt
Shloime Kaufman
Yosef Chaim Shwekey's Debut Album, Lo Lefachad.
Oid Yosef Chai 2 - Yosselle Rosenblatt
Shloime Kaufman
Yosef Chaim Shwekey's Debut Album, Lo Lefachad.
Shloime Kaufman - Avodas Tzedaka Review
Avodas Tzedaka is a 12-track album featuring the vocals of Shloime Kaufman, as well as guest vocals by, Baruch Levine, Michoel Pruzansky, Dovid Gabay, Abie Rotenberg, A.K.A. Pella & Shalom Jacobs. With this star-studded cast, the potential for greatness is limitless. And one more really cool note: The music on this album was done by Tony Coluccio, someone who has NEVER done Jewish music before.
Shloime Kaufman (see pic above) debuted on the Emes albums. However, being this is his solo artist debut, he is reborn as a new singer. So many new singers have put out debut albums recently that it’s become hard to pinpoint one really solid singer from the bunch. However, with Kaufman it’s different. There’s no question about it, Kaufman has an amazing voice and his potential is through the roof. He can sing high without sounding kvetchy and low without sounding gruff. Not only that, but he displays his vocal capabilities with the variety of different styled songs throughout the album.
Zman Chazara (Review Time)
Avodas Tzedaka – Composed by Yitzy Waldner
Kaufman nails the perfect introduction here. The music is very similar to that of “Al Tira” on Oorah’s 2009 “The Shmorg” album. That intro was amazing as well. It’s also a similar style. Short song; Fast; and lots of electric guitar. Kaufman’s voice in this song is crisp and incredibly controlled. Shloime Kaufman, where have you been!? I’ve been dreaming of vocals like yours (well not really… but he’s really good!). A typical, yet perfect addition to the song the second time around (1:22) with a single harmony. And the third time around (2:33) with a choir harmony. Perfect! This song clearly had a lot of effort put into its arrangements. Yasher Koach to those who worked so hard on it!
Shtick – (1:22 – 1:45) The single self-harmony is great and make sure to catch the “Hey!” part.
Yigdal – Composed, Arranged and Performed by Baruch Levine
Baruch Levine. Let me be the first to say “Woohoo!!!!!! Baruch Levine!!!!” Okay, anyway, Baruch Levine’s vocals are a welcomed addition to any song, especially this one, composed by him (of course!). This song, which I will bravely compare to Vizakeini, is amazing. This song will be played as chassunah dinner music; I guarantee it! Just listen for yourself. The song has Levine’s trademark eidel style written all over it. Levine sings the first part of the song, and the second part is taken over by Kaufman. It’s very hard to sing a Baruch Levine song as well as him, but Kaufman surprisingly does a fantastic job with this sure to be classic. Kaufman even sings like Levine. Listen to how he says the word “Sof” (3:20) he adds the “w” sound, making it “Soowof”. Baruch Levine adds some gorgeous background harmonies for Kaufman (3:28-3:55). Now for the real test; can Kaufman hit the keys like Levine did on the chorus? Not as good, but still terrific. Baruch Levine goes all out (4:53) and Kaufman joins in, completing the perfection of this song.
Shtick – (5:21 – 5:26) Baruch Levine’s high double harmony
Kol Yisroel – Composed by Yitzy Waldner – Performed by Michoel Pruzansky
This folks, is a typical Michoel Pruzansky song. Pumped beyond belief, with tons of electric vocals. Pruzansky takes the first part of this song, singing in his trademark “pumped” style. The electric at (1:06) is a bit overdone for my taste. Kaufman joins in during the chorus and you’d think he wouldn’t be able to perform such an eidel song as Yigdal and then perform this club beat Kol Yisroel. But he does, and he does it well. One thing is for sure; the pair, Pruz and Kaufman, makes for an amazing team. Listen for some craziness (2:48) and a little fake-out (3:07). Zeh Lazeh, Zeh Lazeh, Zeh Lazeh Lazeh... so addictive.
Shtick – (3:26 – 3:42) Pruz and Kaufman go all out. Make sure to listen for Kaufman’s “Gerstner” harmony (3:34 – 3:38).
Min Hamaitzar – Composed by Yitzy Waldner – Performed by Dovid Gabay
This song is a bit unorthodox. It’s a slow song with a very interesting chorus. The way the chorus is “cried out” is very interesting, and new to me. It’s not my favorite style, but it’s not terrible. The middle section of the song starting with “zeh hayom” is my favorite part. Kaufman sings the song the first time around and his vocals are terrific once again. The second time around the song, Gabay enters. Although Kaufman does a good job with this song, Gabay saves it and really brings out every note for all there worth. The third time around Gabay and Kaufman switch off and harmonize with each other, which is by far the best part of the song.
Shtick – (4:53 – End) As mentioned above, the end is by far the best part of this song.
Ivdu – Composed by Shloime Kaufman – Guest appearance by Shalom Jacobs
I want to start off by saying, that this album has a huge range of different types of music. This song sounds like a R’Shmuel Brazil (Regesh) composition. We’ve gone from rock to eidel to electric to slow rock, and now we have this classic yeshivish song. This is the type of song where no particular part of the song stands out any more than the rest. It’s a sweet kumzits composition. It’s easily singable, with plenty of “La la’s”.
Shtick – La la la la la… I dunno, you tell me which part is the best! :)
Aishes Chayil – Composed by Yitzy Waldner in memory of two N’shei Yisroel.
It’s no Shwekey aishes chayil, but it’s still a wonderful composition and would sound great by a chassunah. Kaufman sings this one by himself. My favorite part is during the chorus from “He Tishalel” until “Masehuh”. The music throughout the song flows beautifully and the best part about it is that it’s not overdone. I’m sure the women that this song was composed for are smiling up in shamayim. I know I’m smiling down here on earth!
Shtick – (4:44 – 5:08) Beautiful, pumping music added to the song here
Vyisku – Composed by Baruch Levine
Woohoo!!! Another Baruch Levine composition! (Can you tell I like his songs?) Although Levine doesn’t sing on this song, Kaufman does an outstanding job. It’s got the same “happy-go-lucky” chords that Baruch Levine throws on his fast songs (Sholom, Higid etc.). Hopefully, every album has a “gishmak” styled song on it. What do I mean? There are certain happy moments in life that you remember perfectly. For instance, jumping in a pool on a hot summer day; having the last scoop of ice cream; completing a task that you worked tirelessly on. Those are defined as “gishmak” moments. This song brings back those “gishmak” memories :). Here’s a cool note; compare this song to V’al Kein from Yeshiva Boys Choir 1. Very similar tune!
Shtick – (1:28 – 1:40) Smooth sounding voice over harmony.
Habita - Composed by Yossi Muller – Performed by A.K.A. Pella
Well folks, we’ve spotted it! The best song on the album composed by someone I’ve never heard of! Maybe it’s A.K.A. Pella’s voices on this song that makes it so good. I’m not sure, but it’s easily the best song on the album. Kaufman sounds terrific on this song and A.K.A. Pella’s harmonies are flawless. Just sit back and turn this song on repeat. Listen to it over and over, because I guarantee you won’t get sick of it. The second time around A.K.A. Pella inserts their digitally mastered harmonies that they use on all of their albums to fill the background of the song. Habita Aneini! (Sorry, I had a singing moment). Anyway, don’t miss a note of this wonderful song; you’ll regret it. Here’s another cool note; compare the chorus of this song to the Yeshiva Boys Choir’s Korov Hashem. Can ya hear it?
Shtick – (4:30 – 4:43) The way the harmonies here switch back and forth from the left to the right speaker is fantastic.
Sunshine in the Rain – Composed by Yitzy Waldner – Lyrics by Bella Levitan – Performed by Abie Rotenberg and Cast
The lyrics on this song are fantastic. They were composed for A T.I.M.E. And they explain the life of childless parents. Exactly what this organization is trying to help. It’s sung by the whole cast and they do a terrific job with it. Got to love hearing Abie’s voice on an English song, after all, that is what he does best!
Shtick – (2:50 – 2:53) Pruz’s quick falsetto piece
Sameach – Composed by Yitzy Waldner
How can I describe this song? Funky? Crazy? Nuts? I don’t know, but it’s definitely different J. It sounds like something that I would expect to hear on the Kol Noar Boys Choir. I was half expecting it to be composed by Mo Kiss. Waldner definitely has a wide range in his composition ability. My question is why didn’t they bring Mo Kiss in for guest vocals? (“So Beautiful!”) :). Well, regardless, you have to listen to it yourself to understand the song. I can’t describe it in writing. If you want to come see me dance to it, then that may give you and idea!
Shtick – Every Ba ba ba badadada!
Yevarechicha – Composed by Yitzy Waldner
The music in this song makes me feel like I’m floating or that I’m in some sort of dream sequence. Regardless, it’s a nice lullaby. The music and vocals are very sweet and soft on the ears. It’s not a catchy song but it’s a great listen. The double harmony the second time around (2:34) is quite serene. I feel like this song should be playing for a baby while he or she is laying in their crib. Where’s my pacifier!? (Ya, I’m strange, but this is what happens when you spend a lot of time around little kids).
Shtick – (3:32 – 4:09) The la la’s sound like something out of nursery rhyme. Hehe!
Sunshine in the Rain (Acapella Version) – Performed by A.K.A. Pella – Featuring Shloime Kaufman
They go above and beyond the call with this bonus track. You pay for 11 songs and a good 12th song is thrown in to the mix as well. And it’s not some mediocre song, it’s a quality remake of Sunshine in the Rain, but completely vocal. I actually like this version better than the musical one. A.K.A. Pella is way too good at what they do. The beats, the harmonies, the melody, they’re all so smooth and perfect. What a perfect song to end the album with.
Shtick – (2:49 – 2:56) Kaufman’s high harmony is amazing here
Final Verdict
Avodas Tzedaka is cram packed with at least 9 out of 12 solid songs. Which means that the majority of the album is great! We yidden rule by the rov (majority), so in my opinion, go out and buy this album! Not only will you be getting your money’s worth, but you will also be supporting the A T.I.M.E. organization, which “offers advocacy, education, guidance, research and support through our many programs to Jewish men, women, and couples struggling with reproductive health and infertility.” 1 Surely a worthy cause! Go buy it now! Go Go GO!!!!!! :)
1 A T.I.M.E. (http://www.atime.org/mission.html)Jun 15, 2009
Miami Yavoh Review
Let me start out this review by saying how impressed I am with this album. I had all but lost faith in the Miami Boys Choir after 1999’s Stand Up album. So when Yavoh was recently released, I was like “here we go again…” To tell you the truth, I’m not a fan of the preview Aderet threw on their website. They’re C quality clips. How are you supposed to sell an album like that? I guess they figured its Miami, who’s not going to buy it? Well guess what? They were right; I bought it anyway. Anyway, enough yapping! This album is a quality production. On this album, Begun transported the listener into a “time capsule”. The songs are a mix of classic Miami with some contemporary pieces as well. The combination delivers a “blast from the past” mixed with “Bam! In your face!”
The Soloists: Bless you, Yerachmiel Begun for picking solid soloists this time around. There are no voices that make me want to shut off the album and that’s huge for me. The “Miami Ensemble” on Ba’avur is brilliant; kind of gives you that Shalsheles Jr. effect (whoops! did I just mention a competitor?). Of course, you can’t forget the brilliant “Group Harmony Team”, which is something I haven’t seen Miami do, but have seen on the Shira Chadasha Boys Choir (I’m gonna get in trouble for this!). It adds a “shticky” touch to the songs, giving them the fullness they needed.
Arrangements: And now announcing the Miami Boys Choir arrangements All-Star Team. Moshe Laufer, Yitzi Bald, Yisroel Lamm, Yerachmiel Begun, Leib Yaakov Rigler, and Mona Rosenblum. Sweet!
Z’man Chazara (Review Time)
Okay! Less talking, more reviewing!
Ayoim V’Norah
Arranged by the brilliant Mona Rosenblum. This song gives you that “blast from the past” feeling that I was talking about. The arrangements are flawless, the lyrics flow to the tune, and it’s an all around amazing intro song. The song is classic Miami. In other words, the choir sings the song once through before the soloists come in. At 2:14-2:22 listen for the amazing group harmonies this album is filled with. At 3:12 there is a great musical interlude, followed by a cool Oy Gevalt shtick starting at 3:37. Begun comes in at 4:32 and for the first time in Miami history, I don’t mind it a bit. I always thought he took away from the songs, but this is a short and simple piece that enhances the song. This song is Mammash A’ Gevalt! =)
Me’im Hashem
Every Miami album needs an English song. I haven’t liked any of them since 1995’s One by One. Well, there’s been a change in events. This song is a solid English song; I like it! Begun has always done an amazing job with the lyrics, but the melodies haven’t been so hot. This time though, the lyrics and the melody flow beautifully together. Yisroel Lamm arranged this song, and did an amazing job. Each part of the song has the perfect voice to accompany it. Begun’s harmonies at 5:00 until the end are (speechless). Ya, they’re that good.
Yavoh
This is by far my favorite pick for this album. Arranged by Begun, the music sounds like something off of a Super Mario game (Ahh! Secular influence! CHEIRIM!!). This song is great to exercise too or really to do anything too. Okay, at 2:18, if you don’t listen to this, you basically missed the “sweet candy center” of the song! The soloists voice is amazing and the Group Harmonies are back in full blast. The duet at 3:13 is super sweet. Which is followed by a “Baruch Hagever” (Lev Tahor) harmony at 3:26. At 4:10 the group harmonies come back in blowing you away. You walk away from this song wanting more. This is what every title track should be like. Yasher Koach, Yerachmiel Begun.
M’heiroh
Arranged by Moshe Laufer. I’m surprised Begun picked these lyrics, because the last M’heiroh from the Klal Yisrael Together album is classified as a hit (at least, so says Aderet) and its like playing with fireworks trying to outdo a hit. Regardless, this song has gorgeous piano on it. The song is nothing to jump out of your seat over, but it’s still good, especially with Begun’s new group harmony team (I’m telling you, these kids are great). At 5:05 the soloist does a very nice job. But the real star here is the soloist at 5:35. Listen for yourself =)
Boreich Oleinu
Yitzi Bald (hey! Where’s his choir?) and Begun arranged this song together. The intro to this song gives you that ominous “We must accomplish the mission!” feeling (Ya, I know, I’m a little crazy). This song is rocked up, but not overly rocked up. At 2:07 the “Ahh” shtick is very cute. This song really gets good at 3:22. The soloist reminds me of Miami alumni, Yosef Schick (amazing voice). The music become relaxed at 4:26 and this is the most gorgeous part of the song. Begun comes in at 4:50 and once again he really adds to the song. You know what it is? He’s no longer dominating the songs. His voice now has that gruff feel to it and has become an impressive enhancer. You know what? I retract my previous statement on favorite pick. This song is easily equal to Yavoh if not better.
Galei
Moshe Laufer returns two tracks later with these arrangements on Galei. Another ominous intro; it’s so incredibly random… It makes me feel like I’m soaring, kind of like Kol Noar’s Baruch Hashem (that was a cool intro) without the techno beat of course. I can’t put my finger on what classic Miami song this sounds like, but the music sounds like a repeat. Regardless, it’s good music. Wait a second! This is Ki Heim Chayenu (B’derech Hatorah) music (my mother agrees, so take that!). Anyway, now that we got passed the intro, I have to say the coolest part about this song is the chorus when they say “Hey! Galei, Galei, Galei”. There’s nothing that jumps out at me about this song, but it’s a good listen and definitely not a waste of a track.
Esa Einai
Zzzz… No, I’m not falling asleep because it’s a boring song, it’s just the music is so serene. I could totally see myself sitting in a recliner, sipping tea, and relaxing to this song. Begun arranged and Yisroel Lamm orchestrated the music and they did a great job making this song, not in your face. There’s no screaming voices or loud trumpets, its just gorgeous! The harmony at 2:57 is very sweet. This song is so relaxing; I think I’m going to go take a nap now…Zzzz.
Ba’avur
Whoa! So much for napping; this is a 180-degree turn from the last song. Begun and Yitzi Bald arranged this song, and put in a nice electric guitar intro like M’leim (YBC) or Vihoer (Shira Chadasha), very cool! (By the way, yes I do get a kick out of mentioning the competition; it keeps me honest!). The Miami Ensemble sings this song. The best part of this song is the “Ooo, Ahh” shtick. The song gets really good at 2:44 and on. If you skip to the ending, starting at 5:00, the words switch to Eitz Chaim and it’s very shticky, a great way to end a song.
V’seiroeiv
This song, arranged by Moshe Laufer, starts off with a gorgeous round of piano playing and strings. It sounds like a song that would have fit nicely on their “Around the Campfire” album. I’m not a huge fan of this song but there are definitely those out there who will enjoy this song. I do feel this song is a bit too long (8:13). But, hey! It’s for sure not a bad quality song! I return to my previous conclusion; this song would sound really cool without the music, as an acapella song. It would have kept it short, and given the Group Harmony Team a chance to show off their acapella harmonies! (Hint, hint).
Zman Simchaseinu
A classic freilach arranged by Mona Rosenblum! I can see this being sung at Simchas Beis Hashoeiva’s in the future; a lot of crazy men dancing, a little drinking (only a little!), the “to cool to dance” guys on the side playing with their cell phones. What a picturesque thought… Anyway, the soloist at 3:42 is amazing, especially with the harmonies behind him. The “oy oy oy” harmony is very cute. Don’t miss the song from 4:07 until the end. It’s a lot of fun. And from 4:35 and on is hilarious!!!
Azor Noh
This song is sung entirely by Yair Kenig. It’s been a while since he gave an entire song to a child. My favorite? 1984’s B’syiata D’shmaya sung by Jonathan Paley. The key element of this song is the amazing instrumental pieces (Leib Yaakov Rigler, you’re the man!). As for the soloist, Kenig has a gorgeous, powerful voice. The way he whines with some words only enhances the tremendous impact of the song. Usually you don’t want to hear your kids whine, but when they’re good at it, let em’ whine away! Starting at 3:42 the song shines in all its glory with the added harmonies. This song is a great way to end an album. It takes you out with a spiritually uplifted feeling.
So what’s the Maskanah (verdict)?
This album is a must buy, not for only Miami Boys Choir lovers, but for everyone! That’s right, you! You, the person reading this really long review! Go out and buy it now! Here, I’ll even help. Help yourself to a link and go!
Vhavienu 2 Review
While everyone out there is busy writing their reviews of the Kol Noar Boys Choir's debut album, I decided to pull a fast one and put out a review on my favorite album of all time, V'havienu 2!
V'havienu is a group that consists of three men, Dani Kunstler, Yitzchok "Scratchy" Yenowitz, and Aryeh Kunstler. Their first album, V'havienu, debuted in 2004. This album was packed full of hartzig (heartfelt), and eidel (sweet) songs. The one complaint I had heard on that album was the fact that the quality of the audio on the songs was not top notch. Even so, it was still an amazing album.
A majority of the people who I have spoken to have never heard of this group V'havienu. If they have heard of them, they've only heard of the first album. The second album, released Chanukah of 2006, which I believe is their best, appeared to have gone under the radar. In fact, if you look at Sameach Music's website, the album is constantly out of stock (I don't think anyone is buying it). The only places I can find this album online is at jewishstore.com and israel-music (thanks Google!).
The main reason people have never heard of V'havienu, is because, as Aryeh Kunstler informed me, "we don't do concerts". Subsequently, not many people have heard of them. Well I have great news! I'm here to inform you! This is hands down the best combination of voices you will find in the Jewish music industry. Not only do their voices captivate you, but also the actual songs uplift you! The lyrics always fit the tunes perfectly; their albums are truly works of art!
Here's a preview of the album I put together with permission (thanks Aryeh!).
Zman Chazara (review time!)
V'havienuOne thing you need to know about this group is the fact that the first song always has V'havienu as the lyrics. What’s the difference between this one and the one from the original album? First off, you can tell the recording is waaaaaaay better than before. Second off, you can see they switched styles. This song is more rocked up than any of their previous songs. At 1:10, you can hear what I'm talking about. The harmony is gorgeous and definitely befitting the "rocked up" style they were looking for. The second time around, the harmonies only get better (which is what I love about this group the most). They are always on top of their harmonies; always in the right place, always perfect. At 3:53 in the song, it's as the song refreshes itself; the music slows down, and "Scratchy" redoes the intro; a couple more rounds of the chorus with fantastic group harmonies follow this, and then the song fades away... Perfect intro song.
Ozreinu
Gorgeous strings in the beginning. You can tell once the lyrics begin, that this song will be deep and inspirational. The harmony at 1:33 adds so much to this song. The chorus begins, and at 2:05, the harmonies fill the song perfectly once again. They sing together after the music interlude, followed by, a harmony at 3:31 that takes your breath away. At 4:26 the song begins its climactic ending (don't miss a beat!)... Just listen for yourself. =D
Kiracheim
This song was originally sung on Miami Experience 1, by father and son, Avi & Dani Kunstler. It was amazing then, and now they redid the whole song, turning it into a masterpiece. The greatest part? They brought back Avi Kunstler and this time they included Dani Kunstler's son, Moshe Kunstler. This spectacular song will blow anyone who remembers the original version away. Even those who are hearing this song for the first time will instantly fall in love with it. A hartzig acapella in the beginning gets this song started off with a bang. This song is relaying the message of Hashem's oneness. The whole song will relax and uplift you at the same time! I usually feel that electric guitar takes away from a hartzig song, but the electric guitar solo at 4:55 only adds to the amazing intensity of this song.
Sameach
This song was composed for "Scratchy's" chassunah. That's why you won't find him on the third V'havienu, because, he got married and moved to the far away West Coast. This is by far my favorite fast song on the album. It's perfect for listening to while on the road, on the treadmill, or really while doing anything! At 1:26, the amazing harmonies never fail. 2:10, the choir harmonies are back and rocking as usual, and starting at 3:26, a nice display of instrumental music comes in. The song resumes at 3:55 with the chassan at the time, "Scratchy", taking it out. This song is flat out amazing.
Habet
Just when you think they couldn't put another amazing slow song on an album after Ozreinu and Kiracheim, they come out with Habet. Habet, composed by Aryeh Kunstler (his Jewish music debut!), had him playing lead guitars in it. This song can be defined in one word: stunning! At 3:00, or if you listen to the preview of the album, you will hear the gorgeous duet (yes both voices are the same guy). At 3:15, Aryeh Kunstler takes over and really adds a lot with his voice to the depth of this song. At 4:07 the electric guitar comes in and only adds to the moving intensity of this song, and at 4:40 until the end is a must listen climactic finish.
Baruch Hu
This song starts out really funky, I wasn't sure I wanted to listen to it for the first 15 seconds of the song, but don't worry, my opinion definitely took a 180 degree turn once the song started. Whenever I hear this song, it reminds me of summer, camp season, a cold glass of iced tea, and for some reason beach balls...=D I don't need to point out the sections in this song, just listen to the whole song, it's filled with gadlus! Actually, turn to 3:30 and hear the amazing double harmony and then some. Just relax, kick off your shoes and enjoy this song!
Eishes Chayil
The thing I love about this song is the fact you can fall asleep to it. No, not because it's boring, just because it's that soothing. The song is mostly sung by "Scratchy", the softest voice of the three, and he handles this song quite gracefully. At 5:06 the song becomes full, the choir chimes in, and from here until the end is truly a delight.
Esa Einai
This song was written by Mo Sherizon, an alumnus of Yeshivas Ner Yaakov, and is considered an anthem like song for Ner Yaakov. It features a number of Ner Yaakov guys in the choir (how's that for realism!). There's a lot of heart in this song. It has Aryeh Kunstler’s style to it and it sounds like it’s straight off of one of his albums. It's a nice change of pace from the rest of songs, mixing up the album a bit.
Refaeinu
You know how when you daven for refuah, you just want to scream out to Hashem for help through His guiding hand? Good news! This song does it for you. It's amazing how they capture the Refaeinu prayer in this song. These lyrics are deep, and it's hard to live up to the meaning of the words. However, they bring out the words, voices ascending together, truly beautiful. At 3:46, you can see exactly what I mean! This is the 9th song on the album and it's hands down the best one. If you're still spitting out good songs by the 9th track with two to go, that shows some remarkable talent!
V'hareinu
10th song on the album, it's got to be winding down right? Songs having a lesser impact? Nope, not on this album! Here comes another amazing fast song. Aryeh Kunstler sings the whole first round of the song (nice!), followed by the choir (nice fill!), then "Scratchy" takes over (sweet!), followed by a nice interlude with the choir doing some nice "Ooo's" in the background (Ooo!!). Then everyone takes their turn at singing, and the mix sounds great. The song fades out into glory.
Keli
For those of you who enjoyed V'havienu 3's somber tone, this is the song for you. It's a great choice for a last song, almost as if they were planning for the next album to sound like this, as if they're getting you ready for it. Main vocals in this song are Dani Kunstler's. This song takes you out, leaving you wanting more.
Conclusion
I know, I know, I glorified this album. This is not something I always do; however, I truly feel this is an amazing album. So for those of you who haven't bought this album yet, go buy it in your local judaica store (sitting on the older rack), or buy it here. While you're out shopping for V'havienu anyway, go buy versions One and Three!
Project X 3 Review
Okay, arrangements by the Briskman's, Vocals by Shloime Daskal and the Shira Chadasha Boys Choir, and music by the Neginah Orchestra. What more could you ask for, right? All we're missing is someone asking if we would like fries with that. With this all-star cast, how can we go wrong? For me it went wrong when I didn't see enough of the new songs. I was reading the list and I kept seeing names of different chassidish sects. (Breslov, Skulen, etc.) No there is nothing wrong with a good piece of chassidic music, but don't abuse it! Hey, but that's just me, perhaps you love the fine art of chassidic music. So much, that you want the majority of the 35 songs to be them. Enough "blah, blah, blah"; time for some tachlis.
Tantz Section
Ach Tov - Belz/Shlome Kalish: Very cool intro, where is this from? Would be nice if there was more of a booklet. A very hartzig song, and a great pick to get a chassuna on it's feet.
Nigun – Chabad: You can never really write up much about a nigun. What I can say is that Daskal shows off his vocal range in this song, which in case anyone is wondering, is very high!
B'zee Hashu - Avraham Fried/Pinchus Weber: A good song to continue the first dance style. Not much to it, but it's something.
Ashrei Mi - Belz/Lazer Kalish: Every time I hear this song my ears perk up. It's a great song and Daskal does an incredible job with it. It's good that the "booklet" if you can call it that, tells me who the original composer was. Now, if I hear it at a chassuna and the guy sitting next to me says "I love this song, who's is this?" I can respond "Are you kidding? Everyone knows it's a Belz niggun from Lazer Kalish." Right, cause everyone knows... =D
Veaynainee – Skulen: Another song I hear all the time and can't place my finger on where it's from. If you have a random guy come up to you at a chassuna saying "This is a Skulen niggun" that's me!! Well...lav dafka (not necessarily).
B'cho Rabeinu – Breslov: The first dance continues on. My feet are getting tired, when is it going to end? Hey at approximately 1:12 in the song they start clapping; cool! That's chassuna realism at it's finest.
Poseach Section
Poseach - Shloime Daskal/Yitzy Waldner: Whoa...not cool. I thought they were about to play Chosson HaTorah, and they faked me out of my pants (shoulda worn that belt...). Don't worry, two tracks later Chosson HaTorah comes back for real. Anyway, Daskal sings this hit song from his latest album to it's fullest. It's a short and sweet version of the real song.
Hagomel - Dovid Gabay/Yossi Green: I still think it's funny that there is a song made to the words Hagomel. The Shira Chadasha Boys Choir, everyone's favorite choir to throw on their albums is back! The harmony at approximately 0:33 is a very nice touch. Would have liked to hear that on the original Hagomel. You hear that Gabay, ReMix time! The way Daskal sings "Selah" makes me cringe a little bit. You can decide for yourself. =D
Chosson HaTorah - Baruch Levine: The Chosson HaTorah music is back and the good news is that this time it's not going away! It's only a 1:54 long compare to the 2:11 Poseach. Do I sense favoritism here? =D. You can't go wrong here with this song; besides they have the same choir from the original. I still think Levine does it better, but Daskal definitely does an amazing job!
Kol Mevaser - Moshe & Sender Mendlowitz: Never heard this song before. Could be there's a reason to it being 1:11 long. A filler? Eh, you win some, you lose some.
Nigun Baba: I love the "yum bum ba" part of this song. It's a cool niggun.
Hentelech: Whoa, faked me out again... Thought they were going to play Asher Yatzar from Lipa's latest album, A Poshiter Yid. By the way, I hold of Asher Yatzar way more than Hentelech. I'm not exactly sure why people are in love with that song, but hey! a hit's, a hit! The switch back and forth between the Asher Yatzar music and the choir chanting "Tatte in himmel" at approximately 0:56 in the song is very shticky.
Chasidish Section
I'm not going to review this section, because I don't have enough of an appreciation for the chassidishe accent.
Here's a list of the songs:
Lo Yumishie - Sadigur Nigun - Viznitz Tov Lehodos - Skvere/Zishe Schmelczer Shebshifleinu - Traditional Nigun - Skulen Mareh Kohein - London/Yigal Calek
You know what! I will review a song! Actually, I do enjoy this last song. It's a very nice back and forth song. Daskal says his part of his song and the choir replies with theirs; what achdus!
Hora Section
Horachamon - Shloime Daskal/Moshe Wertzberger: Everyone loves a good hora! What better hora to start off with than Daskal's Horachamon from his latest album. I really enjoy the chorus of this song; I feel like taking 3 steps to the right and kicking my feet each way while dancing fast paced in a circle. Hey! I guess that's why this song is in the hora section.
Kumi Roni – Breslov: Doesn't feel like there is much to this song; almost as if it's a continuation to the last song. In other words, a song to keep that hora circle going. Everyone needs a filler!
Moshiach - Miami/ Yerachmiel Begun: I'm sorry, what? How can you put a boys choir song in and not have any child soloists? Not only that, I have to hear the men's choir sing half of it. No, I have nothing against men's choirs, however, this is a song meant for children, let's hear more of them! If you're going to put any men or man for that matter in this song, it should be Daskal; where is he anyway? 0:38 long, I hear that.
Lev Echod - Yeedle/Aaron Razel: Wow! Gorgeous! I didn't think a copy could be better than an original, but Daskal just proved that theory wrong. Do not miss the harmony by the Shira Chadasha Boys Choir lasting from 0:38-0:42.
V'aldoh - Baruch Levine: Anyone else get that "I'm stuck in the middle of a carnival" feeling every time they hear the music to this song? =D. Once again he disproves my theory; I enjoy Daskal's version more than the original. The power of Daskal's voice blows you away in the chorus.
Moshele's Nigun - Yehuda Green/Moshe Shur: This niggun is gadlus. There's not much more I can write about this song. You have to listen to it for yourself. If you appreciate a good niggun, this is one you have to hear. Starting at 2:16, a must listen for this song.
Al Chomosayich - Acheinu/Yochanan Shapiro: An Acheinu song! If you missed my review on Acheinu 3 check it out here on my blog. I happen to have loved this song as it was. Now, I'm thinking Acheinu should have invited Daskal over for the original recording. At 1:52 Daskal switches to a chassidish accent, and I don't mind it a bit. That's means a lot coming from me!
Shelo Osani Goy - Lipa Schmelczer: Ha ha, love this song! Take a great song and add the power of Daskal's voice, what do you get? Nothing but greatness.
Bayis Ne'eman - Sruly Werdyger/Mutty Illowitz: Took this one off of Sruly Werdyger's debut album, Bayis Ne'eman. It's a great song and the choir does a lot for this song. Daskal harmonizes with himself in this as well, and it's something you're going to want to keep coming back to.
Amalel - Yeedle/Mona Rosenblum: Amalel, from Yeedle's latest album, Lev Echad. Only thirty-four seconds long, yet still great. Daskal only covers the high part of this song, but it's perfect this way. This ladies and gentlemen is what you call a perfect transitional song. It takes you from one longer great song to another, without allowing you get bored.
Ich Hob - Shloime Daskal/Adi Ran: Another song from Daskal's latest album. This song is very shticky. He switches back and forth between a chassidish accent and a sefardi accent. Guess that's what happen when you mix Daskal and Adi Ran.
Shalom - Baruch Levine: Another Baruch Levine song! This is a really "cute" song. However, because of it's "cute" style, I think it should stay with Baruch Levine. He has the voice for this type of song. I would have liked to hear a solo from a child in this song. Hey! Where are the child soloists? I'm only hearing them sing as a choir. One thing you can not miss in this song is from the way this song goes out. At approximately 2:11, Daskal takes this song out beautifully.
Miron Section
This is the final section of the album, it's mostly instrumental and is filled with clarinet and guitar. Chilik Frank is on the Clarinet and Menachem Herman is on the guitar.
Lekavod: This song is very hartzig; a must listen.
In Miron: As I said before, there is a lot of instrumental in this section, and this song shows off the different techniques of the clarinet and guitar. However, at 1:01 in the song Daskal demonstrates his range, and it's quite impressive!
Patch Tantz: Entirely Instrumental, with some adult choir added in.
Nigun Breslov: Go to 1:01 in this song for a very shticky piece by Daskal.
Chusid'l in Dm: Entirely instrumental.
Final Verdict
This album has a little bit of everything on it. You have your "Tantz" section, which gives you a selection of songs to start you off. Then there is the "Poseach" section, which gives you a selection of quality, (mostly) recently released songs. Followed by the "Chasidish" section, which supplies you five classic chassidic songs. Then on to the "Hora" section, which gives you five songs to jump up and down to. Leading you to the "Shalom" section, which supplies the listener with five newly released hit songs. Finally you end off with the "Miron" section, which is perfect for any music lover whom enjoys a fine piece of instrumental music. If you enjoy these five styles, what are you waiting for? Go buy this album!
Acheinu 3 Review
Let me start out with an apology, for I have lost my Acheinu 3 booklet, and it is nowhere to be found! I have looked far, I have looked near, but I could not find the lost booklet! So, because of this, I'm going to have to review this by ear!
Oh, Shapiro Brothers! You have put out your third album! My how your covers have advanced with the times. You started out with your first album, full of anivus; just a simple blue cover with your names, the title of your album, and claiming your yichus with your last name "Shapiro" on it. Then, just like the rest of the Jewish music world did, you became a little more "shpitzy." You added, what I assume is a picture of the five of you, decked in matching ties; very elegant! Now you have gone above and beyond the call with your latest cover! A picture of the holy land, with a title added on the bottom! "V'shavu Vonim," your very first title. I would like to be the first to publicly admit that you, Acheinu, have class! Sruly Meyer produced this cover and it's a thing of beauty.
Anyway, down to business! This is the way it has worked in the past for me with Acheinu as a group. I have never enjoyed their cd's off the bat, however, they do grow on me with age, like a bottle of fine wine. My feeling is that they have good voices, but they don't have any voices that make you say "Oh, it's that guys voice again, I love that guy!" However, in no way am I intending this as an insult. I feel that when they sing together, it is a thing of beauty! Their harmonies are music to my ears. (insert pun here). So yes, I am guilty, I don't enjoy most of their songs until the second time around the song, where all the harmonies are thrown in.
Okay, so now that you know where I'm holding, in the words of JMR's very own author, Kol Isha, "let's get down to the tachlis!" (or something like that =D)
V'zocher: Once I hear the opening music, I was like "yup, they're back!" This song reminds me of Ki Lo and Ki Shemesh, the opening tracks to their first two albums. Okay skip the beginning to the electric guitar in the middle; very nice! The classic Acheinu harmonies break in and it brings back memories of good times! Got to love the Na na's as usual. Great song! definitely what I expected and then some.
Al Hakol: The lyrics are beautiful; a very good choice for the music. Skip to the middle! I love hearing them singing together, it's so hartzig! The Acapella piece at approximately 4:23 in the song glorifies the song really making it whole.
V'Shavu Vonim: Ok, what? I feel like I have just been transported to a bar playing jazz. This is the title track, it needs to be solid, let's find out... skipping to the middle. Okay, not a fan of the low part, I feel like it's missing something; almost like it's missing it's essence. Well how about the chorus? Eh, I hear. Nothing to go crazy over, but not bad. The music itself I am not a fan of; I feel like they abused the horn instruments. Could be it's just me, but it's my review. =D. For one of the songs to finish off the album, I understand. However, the fact that this is the title track and in my opinion is not of the "finest" quality, sorry, not doing it for me.
Ba Shabbos: Come Shabbos! Something we are all familiar with I'm sure. The music is very tranquil, making it very befitting for the lyrics, and I mean tranquil in a sweet way, not in a "turn this off" type of way. The na na's behind the the low part the second time around (approx: 2:46) are gorgeous; classic Acheinu, and that's why I love them! The low part itself is as sweet as eating an ice cream sundae after spending three hours building a bookcase. (Yes, I know, I need power tools!) The chorus with harmonies added, are very plesant. I have one bone to pick with this song; it should be around a minute shorter! Otherwise, it's a gorgeous song! One thumb up, only because I smashed my other thumb while building that bookcase.
Al Chomosayich: Hehe, they are saying "shomri-i-eem," nice shtick. Don't miss the cool "Bop, badadadup" harmony at approximately 1:15. Am I weird? Because for some reason I think Baruch Levine when I hear the musical arrangements. (I need that booklet!). Anyway, the low part is very cool, and the chorus is top quality! Great song!
K'Shoshana: Wow! Amazing song! However for me, it's only great once Dovid Gabay takes over! I love the way he sings this song, it's perfect for him. When Acheinu accompanies Gabay with harmonies, it brings this song to a whole new level. At approximately 4:34 in the song, Gabay goes up a key. DO NOT MISS THIS PART! (I bet you won't) =D. Wonderful song; brilliant idea to bring Gabay into the mix.
Geloibt: Nooooo! Let the people who have the accent handle the Yiddish folks! It's a very nice song... for maybe, Yisroel Werdyger? Lipa? Take your pick. I'm sorry my Shapiro brothers, I can't support this one. But loyal fans, don't count this song out because I don't like it! Listen for yourselves! Who knows, maybe there are people who like different things than me. Crazy idea huh?
Hasem Shima: A typical slow song; nothing much jumps out at me. Listen for the "da da dee dum" at approximately 2:55, very soothing. The music is elegant, but I don't find anything special about this song.
Hinei: A very relaxing fast song. Acheinu comes alive with their harmonies at approximately 2:11 in the song. This song can be classified as simple; very easy to sing along with.
Yehi Shalom: Do yourself a favor and skip until approximately 3:04 in the song for the "Acheinu effect." This is the tenth song on the album and you can tell it's wearing thin. It's by no means a bad composition, it's just not a song you're going to remember. At 4:53 in the song the electric guitar comes in; very EG Productions style. I'm personally not a fan of electric guitar solos in the middle of a slow song, so it ruins the song for me.
Acheinu: This is the Shapiro brothers first English song, and whaddya know, it's called Acheinu. This song is showing many different types of sects of Yidden, and how we can each be doing our own thing, yet at the same time, be united as brothers (Acheinu) through our prayers. With all the catastrophic events that are occurring in the world, these lyrics are a gift upon my ears. The actual song sounds like they stuffed the lyrics together, however, only a little bit. It's a very nice song to close out with, especially the piece at 6:10, where the acapella is gorgeous.
The final verdict: The only reason I bought this CD after hearing a preview on it, which was not so great, is because I knew it took me a while to appreciate the first two as well, so I figured it would grow on me. Nothing doing for me so far, but maybe down the line I will appreciate it more. Should you buy it? I can't make that decision for you, however, I will say that if you listen to the preview and you're not impressed, it's because they don't have that "Sweet!" factor to them. If you have the money, give it a try, you may be pleasantly surprised.
Shloime Taussig - Modim Anachnu Review
I've decided to attempt to spice up my reviews a bit, by adding a "Shtick" section to after each track. This section will allow you to view my opinion on what I feel is the best part of each song.
When I first heard of Shloime Taussig, I thought "another chassidishe singer". But boy was I wrong! See my final thoughts for more details. What I will say right now, is prepare to be blown away :)
Taussig is produced by TeeM productions, the same people who produced Yisroel Werdyger's highly successful debut album.
I want everyone to take notice of the spectacular cover art on this album. The album is entitled "Modim Anachnu", which means, "We thank you". Therefore, the thank you card concept on and throughout this booklet is brilliant. This design is just another example of the flawless brilliance of Sruly Meyer's artistic mind.
Al Tira - Composed by Meshulam Greenberger - Arranged by Naftali Yosef Mendlowitz
Okay! An introduction song. Time to get this album off its feet! Listen for the guitar picking throughout the song, it's sweet! The low part "Al Tira... Al Tira" sounds very slick. The greatest part of this song is that it's singable, and a singable melody is the essence of music; so points for that! The piece at 2:52 until the end is good, however It would have been nice to have heard more harmony instead of amplifying his voice.
Shtick - (2:52-3:21) Even without harmony, still a great finisher.
Modim Anachnu - Composed and Backup Vocals by Yossi Green - Arranged by Shua Fried
This song starts out with some saxophone action. Every time I hear an intro like this, I think jazz bar (not that I've been, of course :D). Yossi Green and his signature multiple voices lends his vocals to this gorgeous song composed by Green himself (Whoa, Sheba Whoa). Like the last one, this song delivers. Every note sounds gorgeous!
Shtick - (4:24-5:09) Listen to Taussig at 4:42, simply gorgeous.
Yehi Yehi - Composed by Lipa Schmeltzer - Arranged by Ruvi Banet
Taussig turns to Lipa for help on this third track. You can tell it's a Lipa song by the opening of the song, when Taussig is talking in Yiddish. Honestly, I find this song a little boring. But hey! I found Lipa's hentelach boring and take a look at how popular that song became. This song doesn't it do it for me, but on a positive note, Taussig sounds solid in this song.
Shtick - (5:09-End) I happen to find the music at the ending of this song very cool.
Hareini Mezaman - Composed by David Kaufman - Arranged by Naftali Yosef Mendlowitz
The thing about this song that makes it good, is its sweetness. I can picture this song be sung at chassunah's; you know, while nibbling on some food and waiting for the chosson and kallah to make their appearance. I love the "di di da dum" parts in this song. They're definitely what makes the song.
Shtick - (4:00-End) "Di di da da dum da da dum, oy yoy oy yum!"
V'Haboitchim - Composed and Backup Vocals by Yossi Green - Arranged by Naftali Yosef Mendlowitz
The musical arrangements in this song are fantastic. 1:11-1:17 has a nice electric guitar shtick. The chorus in this song is fantastic. Taussig and Green sounds great together once again. The entire second part of this song, from 1:17 and on is amazing. Taussig and Green switch back and forth between verses, making the song flow beautifully.
Shtick - (2:53-3:11) Fantastic duet between Taussig and Green.
Hashem Elokai - Composed by Pinky Weber - Arranged by Naftali Yosef Mendlowitz
The low part of this song has an ominous ring to it. However, the song changes over at the entrance to the chorus and the song take on a sweet and pleasant tone. This song is one that requires harmonies. The choir's harmonies are fantastic and without them this song would have been mediocre.
Shtick - (5:01-End) Listen for the choir harmonies. :)
Ki Hamalchus - Composed by Shragi Gestetner - Arranged by Naftali Yosef Mendlowitz
After the slow pace of the last song, this rocky song is a welcomed addition. Points to Gestetner and Mendlowitz for this song's catchy, singable, tune. Chassanim listen up! Add this song to your chassunah's playlist!
Shtick - (2:30-2:44) Fullness and quality during this part of the song
Harachaman - Composed by Yoeli Polatseck - Arranged by Naftali Yosef Mendlowitz
Does anyone else think of this song as a typical Yeedle song? I'm not impressed with the low part, but the chorus is fantastic. One notable mention here is the beat to this song; very pleasing :).
Shtick - (4:29-End) There wasn't anything special I could really pick out of this song, besides this nice piece at the end.
Mi Shemamin - Composed by Motti Illowitz - Arranged by Shua Fried
The introduction feels like there should be a man sitting, playing his flute, while a snake is coming out of a vase. This song has a Hora beat. Baruch Hashem, for this song. Ladies and gentleman, I found my favorite song on the album. From the fantastic musical arrangements to the catchy tune to the shticky electric vocal pieces, this song is crammed with yummy musical goodness!!!! :) Want to know how highly I think of this song? Im yirtzeh Hashem, I'm getting married in August and I'm putting this on my hora list for the chassunah!
Shtick - THE ENTIRE SONG IS GADLUS (greatness)!
Ki Atah - Composed by Yoel Hersh Fuchs - Arranged by Naftali Yosef Mendlowitz
This could very well be a good slow song, but after hearing the last song, it doesn't measure up. It's definitely not a song I want to hit the "next track" button on, but at the same time, it's not giving me a geshmake feeling.
Shtick - (3:13-3:37) You can hear Taussig's fantastic range during this piece.
Keili Ata - Composed by Avrumi Berko - Arranged by Naftali Yosef Mendlowitz
Freilach! Once again, fantastic choir and musical arrangements. Pay attention to all the difficult pieces of music being played throughout this song. For instance, the trumpet from 2:12-2:18.
Shtick - (2:48-3:11) This part of the song is so catchy.
V'haer - Composed by Dudi Kalish - Arranged by Naftali Yosef Mendlowitz Children's choir arranged by Mo Kiss
This song is quite relaxing. Every album needs a song like this to balance it out. Finally, some children's voices! You have to love the sweetness of a child's voice. This song is hands down the best slow song on the album. Why? The simplicity of the arrangements, and the amazing addition of a children's choir with out-of-this-world harmonies.
Shtick - Every time the choir sings "Ba ba bee da dum"
Shabbos - Composed by Dudi Kalish - Arranged by Naftali Yosef Mendlowitz
The final song on the album. People tend to think, it's the last song, no one ever gets that far, so it doesn't need to be that good. On the contrary!
This song is the last song you'll be hearing. It needs to leave a good taste, and make you want to restart the album from the beginning again for another listen. Baruch Hashem, this song does just that! It's a beautiful slow song with the words (Shabbos) dedicated to the one day of the week that leaves you with a "good taste" and makes you want to go through a whole another round or week, just to hear or see shabbos again!
Shtick - (4:34-End) The arrangements and vocals from this point on are A+
Final Verdict: I'm usually not a fan of the chassidic accent, but Shloime Taussig has completely changed my viewpoint with a 180 degree turn. Taussig not only has a spectacular voice, but the majority of the songs on this debut album are spectacular and will keep you coming back for more, time and time again. Encore! You can buy the album here on MostlyMusic.com
Visit me on my blog at the Jewish Music Derech
Meydad Tasa - Basmachot Shelcha Review
Meydad Tasa - Basmachot Shelcha
(Special thanks to Yosef G for the music)
(View Tasa's official website in English HERE)
Now Tasa has released "Basmachot Shelcha" a "Simcha" album, which can be purchased on Israel-Music or GalPaz. This album features some of his own songs as well as other popular songs from around the Jewish music industry. On this album, you can hear how his voice has matured and yet he still manages to hit tremendous keys. However, there is a downside to this album. The transitions between songs are a bit rough and can get on the nerves of any music enthusiast. Also, some of the songs are a bit dated, and I was hoping for something more up to date.
I'm writing this review in the car on the way to a chassunah in Baltimore with Shwekey playing in the background for the rest of the people in the car. Therefore, I'd like to take this moment to give a huge yasher koyach to my headphones, which allow me to listen to this album and deliver a review to you, my readers. (clap clap)
Update: This album can now be bought on Aderet's website, Mostlymusic.com
Z'man Chazara (Review Time)
Pesicha (#1)
This is an opening to the first section of the album. Starts off slow and then pumps you up for the first song.
Od Yeshoma
There’s a rough transition from Pesicha to Od Yeshoma. Don't worry; it gets good once you hear Tasa's voice. However, the adult choir starting at 0:40, seems to be missing it's depth.
Keitzad
Great sound. Tasa’s voice sounds crisp. However, there’s too much choir and not enough of Tasa on this classic song. The length of the song is a minute and fourty-three seconds and Tasa only sings the first thirty-four seconds of it :( .
Matzliach Moshiach
Nice! An Israeli singing Yiddish! That's achdus (unity) for you! Avraham Fried is known for his shtick while he sings, but Tasa goes above and beyond with his own shtick and outdoes him here. You’ve just got to love the way Tasa plays with this song. The music in the background is great as well.
Ahallel Amallel (Favorite!!!)
Another rough transition; this time from Matzliach. Tasa takes over for the choir at 0:44 and sings this song as if it's his own. This Yeedle song sounds as if it was custom built for Tasa's accent, amazing!
Bizee Hashoh
More Yiddish! The fact that this song sounds great with Tasa's voice furthers my belief that this child can sound great with any song.
Yatzliach
Once again Tasa sounds great and the music has a fresh sound to it. I feel like dancing now! I'll be back later to finish this review... :P
Pesicha (#2)
Here’s another introduction for the second section of the album.
Hesech Hadaas
I'm not a fan of this tune from 'Hu Levado', but Tasa's rendition sounds great. There's something about his voice that forces you listen time and time again. The way he drags out the word Moshiach at 1:22-1:24 is very shticky.
Meirosh Tzurim (Hein Am)
I've noticed that Tasa does Shwekey very well, because the songs are more than befitting for his Israeli accent. The second time around on the low part (0:33 - 0:44) is super shticky, a must listen. After hearing the song this way, you'll be singing it like this from here on out.
Melech
Melech! Like this song hasn't been overdone. Well, then again, there's a very good reason. It's an amazing composition by Mona Rosenblum. To hear it once again with Meydad Tasa's vocals brings a welcomed addition to the list of "Melech" singers.
Shehechiyanu
Way back from Shwekey's first album; Shehechiyanu! Tasa brings it back sounding fresh. Perhaps we should recite a shehechiyanu on this song (so corny... I know. I blame my parents. It's in my genes).
Maaminim
A song straight from the King of Jewish music, Mordechai Ben David! The music on this track is amazing. Have you ever heard maaminim sound this good? It's quite a switch from the deeper adult of voice of MBD to the younger sfardi accented voice of Tasa. Something interesting to note: What's up with the random addition to the song at 2:03 to the end of the song? Listen for your self.
Zochreni Nah
I had heard this famous song, composed by Dov Shurin, for the first time on Eli Gerstner's - Yosis Orchestra album and I saw Gerstner use this song to open concerts many times. There's a nice musical interlude from 0:53-1:14; it's quite random, but so am I. Perhaps that's why I like it! :)
Kisheim Sheani
An Avraham Fried song, composed by Moshe Laufer. Although, I've never heard Fried sing it, I've heard this song is on Sameach at the Wheel 2, with Pruzansky singing it. I think Pruz did a better job. Shh! Don’t tell anyone. :)
Bo Yavoi
Here’s another song from the "King", MBD. This song wasn't originally arranged as a fast song, but, apparently, any song can be played with and turned from slow to fast. See "Al Naharos Bavel" later on this album. My favorite part of this song is from 1:41-1:51. Listen for yourself to hear the shtick Tasa throws in.
Mareh Cohein
This is such a happy-go-lucky song. Not as much as the next song, but this song definitely puts you in a good mood. Wee!!! Lets go play on the slides! :)
Oleinu Lishabeyach
This song is the first track from his first album and a very funky video of it can be seen here (prepare for disco lip-syncing). I've never heard anyone else sing this before, and to tell you the truth, I'm not sure if anyone else could pull it off as well as he does. This song has a child's ring to it and subsequently, is perfect for his voice.
Esa Einai
From his "Al Naharos Bavel" album, this song, I felt was one of the weaker ones on the album. However, because its length has been shortened, it's actually pretty good! From 1:33 to the end is hardcore sfardi shtick!
Al Naharos Bavel (Faster)
This song starts off with music from the Miami Boys Choir... odd. Anyway, Tasa takes his hit song, "Al Naharos Bavel" and sings only the chorus, pumping it up. This song concludes the second section as well. A well made music video of this song can be seen here.
Pesicha (#3)
Lev Tahor, Asher Bara intro! Rock on!
Lesheim Shamayim
Ouch! There’s another rough transition from the intro. This song is the title track from Shwekey's latest album. Tasa sounds great. I would love to hear a Shwekey/Tasa duet! And once again, there’s another random shtickel on this song from 1:33 until the end.
Ma Ma Ma
There's no such thing as overusing one artists song selection right? Especially Shewkey! Well if there is something wrong with it, tough, because here's another song from Shwekey's latest album. Also, it's cute hearing a child sing this song. It sounds like he's calling out for his mommy (ma ma ma)! He already had a song devoted to his mother on his "Al Naharos Bavel" album, so why not another shout out to his mother! (HEY MOM!) A video of him singing this song can be seen here.
Hazman Katzer
This is one song where I don't appreciate the change applied to it. They slowed down this hit song to try to give it a hora beat. :( It was fine the way it was! And this is how they end the third section too! Aww nuts...
Anavim (Favorite!!!)
Let me start of by saying, Anavim is very likely the hit song of this generation. There's so much depth and heart in it. Composed by the one and only, Yossi Green. The best version I had heard was Shwekey and Green singing it together for Shwekey's concert in Cesaria. Meydad Tasa sings it on this album and in my opinion, blows every other rendition of this song out of the water. Not only are the arrangements amazing, but also his voice sounds so good.
Listen for yourself for all the amazing shtick he pulls off with his voice. For instance, the way he sings the word "Viomer" as he enters the chorus. The choir in the middle of the song is fantastic as well. Everything about this song screams delight. Baruch Hashem for the combination of Green's fantastic composition and Tasa's vocals.
V'zakeini (Favorite!!!)
After the success of Anavim, why not take a crack at the second most popular slow song playing everywhere? Baruch Levine's V'zakeni.
Listen for Tasa's s'fardi shtick in the beginning of the song. That's a nice addition! I've heard many children sing this song, always with Baruch Levine. Yosef Schick, Simcha Levinstein, Ami Eller, Yoni Stern, etc. If Tasa sang this with Levine, I'm pretty sure he would take over the show. Why? Because the shtick that Tasa throws in are out of this world. The "Ooo" shtick from 2:47-3:00 is gadlus (greatness)! The whole song is a must listen, but from 3:34 and on is the ikur (main part) of the song.
Ochila Lakel
This is the first time I'm hearing this song, so I have nothing to compare it to other than itself. There's some gorgeous guitar strumming throughout the song. Sounds like it would be a great kumzits song for around the campfire. Tasa really goes all out in this song, adding in shtick at every point possible in the song. Seriously, this song is overflowing with shtick like a cup of wine at havdalah [I know... really bad comparison, go with it! :)] I love the piece at 4:03-4:13. Wow! 4:48 until the end, Tasa is superb; the music gets rocky and he goes all out.
Final Verdict
Suprisingly enough, I am pleased with this album in its entirety. Yes, the transitions could be much better and the song selection would be better if it were more updated. Still, for what it does deliver, it delivers well. Should you buy this album? There are two factors. A. Do you like simcha albums? Which most likely means, no new songs. B. Do you enjoy Meydad Tasa’s voice? If you’re a fan of his voice, then this is a must buy. Speaking of which, for those of you who don't feel like scrolling up, you can buy it here on Israel-Music or GalPaz. Personally, I would spend the money this album. I plan to play this album a lot in camp this summer, this way I'll be milking it for every penny. I’m sure the kids will get a kick out of some of their favorite songs being sung by Tasa’s talented voice.
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