Shalsheles V Review

Yitzchak Rosenthal is back with his expert compositions for Shalsheles V. Although the group remains intact, Simcha Sussman is now recording from Israel, his new home.

Shalsheles has always been known to be "bed time music." It's relaxing, refreshing and not in your face. Last album, they changed that style with Yufyafisa and Kel Hakavod and fans were eating it up. A.K.A. Pella made a remix of Yufyafisa not once, but twice (with the help of Shalsheles Jr). In this album, you'll find songs like Ashrei Ish, Mi Chamocha and Me She'asah, which add a fresh, modern day feel that's constantly missing in Jewish music.

As Jews, we live by our heritage. We keep it intact and pass the mesorah down from generation to generation. However, the style that is Jewish music is not a mesorah, it is music from 30 years ago. It's just outdated music. Slowly, musicians are starting to realize that in order to appeal to the younger crowds, they need to change their music. By doing so, they are not breaking a mesorah, they are just breaking a bad habit of staying with outdated music. I'm glad to see that Shalsheles clearly notices that Jewish music is evolving and needs to. They have shown this by bringing in Aryeh Kunstler's musical talents to the third song, Ashrei Ish. I hope more of the Jewish musicians follow in those footsteps and update their music as well. Shalsheles has managed to change the style of music to sound better, but not secular and electrified, like much of today's contemporary secular music.

I heard a great line the other week. When I asked about the chol hamoed concerts in New York this year (not the boys choirs), and what the crowd was like there, I was told the following. "All the concerts on Chol Hamoed were empty, I think people are starting to realize that it's (concerts) not much more than a wedding without the shmorg!" It's true. With the abuse of outdated music and horn instruments, which rightfully belong at a wedding to give it that special "wedding feel", the concerts are just wedding that you have to pay to go to and you don't get any food! As Jewish music evolves and the fan base grows, I think we will find that concerts will be a lot more exciting!

Once again, kudos to Shasheles for keeping Jewish music refreshing!

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(Instead of giving you long, boring, detailed recaps of each song, I'll give, what I thought were the positives and negatives of each song. I'll let you decide the rest! :D)

Positives = "+" signs. Negatives = "-" Signs.

Baruch Habah

+ Great music on the intro, especially the keyboard behind the opening lyrics

+ Simcha Sussman sounds amazing, despite being in Israel

+ Good length for intro

- Would have liked some more high harmonies instead of choir harmonies

Poseach

+ Classic Shalsheles intro and arrangement

+ Great refrain (low part), better chorus (high part)

+ Chaim Block's high part towards the end

- Middle part leaves more to be desired

- Song fades out, which is outdated

- Classic Shalsheles intro and arrangement

Ashrei Ish

+ Aryeh Kunstler's rock solid, contemporary arrangements

+ The way the choir sing "Emes" as they enter the chorus (high part)

+ The composition is top notch. Think Kel Hakavod from the last album, but better

+ Killer electric guitar strumming and solos… and no horn instruments (B'H)

+ Eerie, yet exciting middle part at 3:00

- No Aryeh Kunstler guest vocals

Ki Er'eh

+ Hands down, best slow song on the album

+ Child vocalist, CJ Glicksman

+ Simcha Sussman's vocals after the child vocals

+ Great harmonies throughout

+ Good length for a Jewish music slow song

Mi Chamocha

+ The NEW Yufyafisa

+ Addictive and transcending song throughout

+ Beginning to end of song is flawless

+ Baruch Aryeh's vocals

+ Great ending displaying each vocalist

Ki Tov

+ Na na's at 0:55

+ Get's better second time around the song

+ Sounds like a Baruch Levine song

+ Short

- To happy-go-lucky, beach tune

- Chaim Block fades prematurely for me at 1:56

Shalom Rav

+ Typical Shalsheles composition

+ Amazing chorus

- Very slow refrain

Hinei Anochi

+ Typical shalsheles fast song, like V'nocho and V'haya. Still so good…

+ They only have one of these songs on the album

+ Great chorus

- Typical Shalsheles fast song, like V'nocho and V'haya. Still so headachey…

- Outdated music (i.e. horns are plentiful)

Mehaira

+ Pure and fluid song throughout

+ Simcha Sussman rocks this song

+ Shalsheles manages to recycle the same style tune from previous albums one more time

+ Harmony at 3:29

- Shalsheles manages to recycle the same style tune from previous albums one more time

Mi She'asah

+ Not Aryeh Kunstler arrangements, but still contemporary and fresh

+ Funky, yet addictive music

+ The chorus is out of this world. Different. Harmony filled. Refreshing.

+ Harmony at 4:05, such gooey cream filling goodness

+ Choir to end of the song is fantastic and different

+ Vocals during the choir's ending

Generations

+ Beautiful lyrics; heartwarming; tearjerking.

+ Fantastic arrangements and vocals.

+ Doesn't get interrupted in the middle by the message "this is a mostlymusic preview." :)

+ Shalsheles redeems Dreaming with a quality English composition.

+ "It's Generations & generations…." Love it.

- Would have loved to hear a child vocalist on this

(Original Post on JMR)

Aryeh Kunstler "Our Eyes Are On You" Review

Here's my review of Aryeh Kunstler's "Our Eyes Are On You", which originally appeared on JMR.

For those of you who are new to the Alternative Jewish Music scene, Aryeh Kunstler is the king, in my opinion. Aryeh blends the styles of contemporary secular music and English lyrics with gorgeous pieces of Jewish music and Hebrew lyrics.

This is Kunstler’s second solo album, although it has the quality of a 4th or a 5th album. It’s no surprise, Kunstler comes from a musically gifted family. His father, Avi Kunstler, has albums available for purchase as well, and his brother Dani has the group V’havienu which Aryeh is a part of. Also, Aryeh can be found on the wedding circuit as a guitarist for the Neshoma orchestra and as a member of Yaakov Chesed, a 4 piece band headed by Jake Polansky.

Like I previously mentioned, expect great things from this album, it went above and beyond my expectations and a whole other world past “From the Depths”, his debut album.

I decided to do something different, I compared and contrasted this album with Aryeh’s other musical works. Enjoy!

Hashem Sifosei vs Oseh Shalom -
A mix of Hebrew and English lyrics, this song is not only a great intro song to get the blood pumping, but it has quality lyrics as well as some very cool Kunstler tweaks. The second time around, listen for how Kunstler sings the words “I long to say”, it’s moments like those that the Kunstler style and skill can be found and eaten up. He also throws in something I never get tired of hearing, a muffled/synthesized voice with light guitar strumming behind him, in the last minute of the song. Oseh Shalom was good, but it was not nearly as professional as this song is.

B’Shem Hashem vs Az Yashir -
This is a tough call for me, because Az Yashir was my favorite song on his first album. However, once again, the professionalism in the music and vocals can be found in this song more so. Not only that, but this song has more of a soft rock feel to it, and glorifies the soft rock genre. Aryeh adds so much feeling to this song by the mixture of “Yah’s” with the Hebrew lyrics. Toward the end of the song, there are some gorgeous background vocals as well, that should not be taken for granted.

Mi Chamocha vs The Radio? -
I discussed this song with my wife during one car ride. We both grew up listening to secular music, and we came to the conclusion that if one song were to be taken from this album to be played by the radio stations, this would be the right choice. It has a nice refrain, where it slowly builds you up to the climactic chorus which makes you feel as if you’re flying. All around, this song just screams good times. It’s not my favorite song, but it definitely one of the better songs on this album.

Nachamu vs B’lev Echad Single -
This song is very heartfelt, and could definitely touch anyone who has witnessed a tragedy or just feels the daily stress of this golus. This song does exactly what it preaches, it consoles you and gives you that extra lift. I was jogging back from the car repair shop, after having a sleepless night the night before due to my car breaking down in the middle of nowhere while coming back home from a wedding and this song, once it got to the second time through, turned my jog into a run where I felt the stress and over tiredness fading from me and a second (or perhaps third) wind kicked in. This song really gave me a boost and I think it could do the same for anyone. It has the same feel as B’lev Echad, the single that was done for the Merkaz Harav attacks. Very emotional, very good.

Modim vs Modeh Ani -
Both Modim and Modeh Ani (first album) are about thanking our creator. This song was done way better though. Modeh Ani was less professional and the overall tune was not as good as this one. Everytime I hear this song, it makes me want to play the air drums… in other words I start mimicking the drums in the song by slamming on anything with my hands… that reminds me, I have to go buy a new vase…woops.

Veliyerushalayim vs V’havienu albums
We have more of a V’havienu feel to this song than anything else. Most people know that V’havienu (Dani & Aryeh Kunstler) are my favorite albums, so how could I not love this song? It’s so soothing and has so much hartz in the song. The best part is, the vocals are just icing on the cake, it’s the musical arrangements in this song that are a thing of beauty. I would love to hear an instrumental version of this song.

Gam vs rock songs in general
Gam is a crazy awesome rock song. It has the same style as Mi Chamocha, where it has a slower refrain and a rocking chorus that literally rocks (no pun intended). There’s not a lot to write about it, but just know that this song is so good, it speaks for itself.

Lishuasicha vs Shimshon?
This is such an interesting song, I don’t really know what to think. It’s a fast rock styled song with a dark feel to it. It’s about the story of Shimshon (Samson) being captured by the Plishtim and he’s bound to the two pillars with his eyes gouged out. I guess it’s uplifting that Shimshon got one more burst of strength to destroy the plishtim, but at the same time, it feels kind of strange listening to these lyrics with this music behind it. It’s by no means a bad song, it has great arrangements, I’m just confused.

VaAnachnu Lo Naida vs Im Eshkacheich
You’ve found it! This is my favorite song, and I’m surprised he didn’t call this song “Our eyes are on you”, for this is the song you’ll find those lyrics in, if you were looking for them like I was. From start to finish, this song feels like Im Eshkacheich from the first album mixed with some V’havienu song , but like 20x better. LISTEN TO THIS SONG, you will not regret it.

Split the Sea vs my head
What is this? It’s not my style, but there was definitely a lot of work put into this song, so there’s no way I can bash this. I’m sure there will be lots of people who love this song, but it’s not my genre.

Yizkerem vs depression
I feel like this song could have been composed on tisha b’av after watching one of those Chofetz Chaim Heritage Foundation videos. The song never really uplifts you, it starts with a depressing refrain and an leads into an eerie chorus. From the lyrics, it’s clear that the song is about the holocaust and how we should never forget it even as we come closer to the time when the last survivor will pass on to the next world. It’s an appropriate way to end an album since we are in golus and we really shouldn’t feel true joy until the final redemption.

Overall, I loved this album. The last 2 songs weren’t my favorite, but there was definitely a lot of work put into them. This was definitely worth the delays and the wait, Aryeh Kunstler went up a whole level in professionalism in my head, and he will in yours too. BUY IT!

JMDerech Experience - Avraham Solomon

I was a little hesitant about doing this report because it meant traveling through Brooklyn. For those of you who aren’t familiar with Brooklyn (seriously?), it’s full of a new beast called “the Brooklyn driver”. They’re fast, unpredictable and downright scary (no offense to Brooklyn drivers :P). Regardless, when I heard that Avraham Solomon, the famous soloist from the Miami Boys Choir’s Torah Today album, was going to be singing at this wedding, I decided it was worth endangering my life in Brooklyn traffic.

I show up at the chassunah and think about doing valet parking, however for those of you who haven’t tried this, just follow the valet driver and park behind him. They always know where the good spots are, assuming they aren’t parking in a private parking lot :). Anyway, I show up to the glamorous ballroom at Ateres Chynka and the 7 piece orchestra was warming up at the shmorg and they sounded great, just a taste of what they would sound like during dancing.

From the dinner music, all the way to the second dance, Avraham Solomon, who said he hadn’t done this in a while, sounded amazing and you would have thought that he did this kind of performance every night. He was hitting every note, high to low and with what seemed to be ease. The musicians were fantastic and played their instruments skillfully. I was very impressed with the saxophone player who put on quite a show. Unfortunately, I’m not so familiar with the wedding scene and don’t know the names of all the musicians. However, I did recognize that Mo Kiss, the leader of the Kol Noar Boys Choir was on lead guitars and was excellent, as can be seen in the video.

I highly recommend Solomon as a singer for your next simcha, not because I’m being paid to say that (I wish), but just because he was so professional and has an excellent voice to top it all off.

See below a video of the event and a link to the Torah Today album where Solomon first appeared on the JM scene.



http://www.mostlymusic.com/torahtoday-p-1632.html

JMDerech Experience Archive:

Ari Baumann & Singers

Shloime Kaufman

JMDerech Experience - Ari Baumann

Motzei shabbos and time to for another review. Ari Baumann & Singers were to be singing at a Bat Mitzvah in Long Beach. I was driving from Monsey, where I had stayed for shabbos and was excited to hear Ari play. Baumann has been in the business for 20 some years now and is an expert when it comes to playing keyboard for simchas. He was kind enough to let me film him and I even sang on the microphone briefly, which was not recorded, but maybe next time. We shmoozed between his breaks and play time and he’s a very pleasant person and is passionate about his work.

His actual performance on the keys was terrific. It’s impossible to capture the magic that occurred that night and if I could show the excitement in the air and how into the music the girls from the bat mitzvah were, I would have (tzenua factor). But the girls loved him, I thoroughly enjoyed myself and all in all, it was one of the better motzei shabbosos I’ve had in a while.

I would recommend hiring him for a simcha, but that’s your call.



If you would like to be featured on the ongoing JMDerech Experience here on the Jewish Music Report, then send me an email to jmderech@gmail.com.

Sheves Chaverim Review

This album continues where Sheves Achim left off. Ari Goldwag compositions and harmonies with talented child vocalists singing them. It doesn’t need much introduction – Therefore, lets get down to Tachlis!

(Review) + HOT – MILD – COLD Meter

Im Hashem (MILD) – A Yeedle “Bizos Ani Boteach” intro. Like the rest of the album, the sound isn’t so clear on this song; it’s still good, just not amazing. Good beat in the background and classic “Sheves Achim” styled harmonies in the background throughout the song. The second time around you can hear the aged Moshe Bell. His beautiful voice is gone, but he’s still good for low harmonies. The stars of this album are the Sheff brothers (Zev and Baruch). I hope they are the picks for Sheves Achim 2.

Ki Ailecha (HOT) – My favorite song on the album is this song. It’s got “Sheves Achim” style screaming from it. Fun to sing and even more fun to listen too. You can hear the opening solo by Baruch Sheff – a beautiful voice. Moshe Dov Goldwag, Ari’s son, enters the second time around and he has a really cute voice. You can tell how young he is from the way he pronounces the words. He has amazing control for his age (4-5?), watch out YM Gerstner! Shlomo Lipman is after him and in my opinion has a fantastic voice that will only get better. Yair Frohlich is after him and is the star of the album with the most lead solos. He sounds like Goldwag did when he was a kid. The best part of this song isn’t the kids, it’s Goldwag when he takes over at the end. Gorgeous harmonies behind him add to the climactic ending.

Mi She’ana (HOT) – The first slow song is beautiful, bringing me back memories of the menucha filled sounds of “Mi Ha’ish” from Sheves Achim. Frohlich leads the song and sounds amazing. Moshe Dov Goldwag is so controlled with his solo, it’s amazing. B. Sheff and Lipman share a beautiful alternating duet.

Hashem Loves You (MILD) – Welcome to the islands! That’s the feeling you’ll get from this song after you hear it. It happens to be a great tune and the refrain is terrific. The chorus can get kind of annoying but this song is great for little kids. The “ooo Hashem Loves You” ending is very cute.

Yehi Chevod (MILD) – This song doesn’t do it for me. It’s a beyond beautiful tune, however it’s a bit different for me. The low and high part are very similar and it’s kind of like the tune that never ends. When this song comes off I alternate skipping it and listening to it.

Tisgadal (COLD) – Freilach! It’s a cute tune and can be fun to dance in a circle with, but that’s it. It has no feeling of “Sheves Achim” style in it.

Borei (HOT) – Major “Sheves Achim” flashback time. This song sounds like a mix of “Ogil” and “Yehi Shalom” from “Sheves Achim”. This song is filled with “WOOOHOO!!!!” I’m actually going to have to take a break from this review to start dancing. Be right back! :)

Al Tira (HOT) – This song bring back memories of “Avraham Yagel” from “Sheves Achim”. It’s a soothing medley that I can sing and play over and over again. The harmonies are eloquent and the medley is splendid. This is my favorite slow song on the album.

Sha’arei Shamayim (HOT) - Techno time! This songs brings back memories of Vehu from Sheves Achim. This should have been the first song on the album. It’s not going to be as memorable because it’s so late in the album. If you’re looking for some fast paced techno action, look no further – place this song on repeat.

Shema Hashem (COLD) – No, sorry, skipping. I don’t need to hear Carlebach’s Ailecha with different words for the refrain. It was a nice idea to add it, but there’s 11 other songs, this one could have been left out.

Finally Here(HOT) – Ladies and gentleman this song is a close favorite of this album. It would have been if it weren’t debuted originally by Ari Goldwag. It’s way better than before, the kids are the perfect fit for this song. Their voices soar, and the arrangements are top notch. Why is it track 11? This is the equivalent of Superman from “Sheves Achim”. I happen to like better but I’m sure every girl will disagree with me.

Sof Davar (MILD)- This is one somber, ominous tune. It makes sense, the songs translation is – The end of matter is all that is heard. Fear Hashem and keep his mitzvos, for this is all of Man’s purpose (Ecclesiastes 11:13) – It’s a beautiful song, but way too kill the mood from the last song. The arrangements are angelic and this song would be a great kumzits song for the tisha b’av time of year.

Ki Ailecha Chaser (????) – This song isn’t listed in the booklet. I guess the attention was to leave the album with a happy note instead of leaving you with the last song. It features Ari Goldwag and I believe Baruch Sheiff singing “Na na’s” to the tune of Ki Ailecha (Track 2).

HOT – 6

MILD – 4

COLD - 2

???? - 1

Final Verdict

The sound quality on this album is not terrific but it happens to be a quality album. Some people may think it’s a cheapy, but that’s simply not the case. It’s definitely no Sheves Achim, however it’s a nice debut album. As hard as it is, you can’t compare this album to Sheves Achim. Let’s wait for Sheves Achim 2 for that!

Buy the album here – It’s worth it!

My Review of Shua Kessin - Lo Lahitya'eish

(via JMR)

Shua Kessin is not stam (normal), in a good sense. There, I've said it. He is a multi-talented artist. Singer & Composer, Kessin is the next big thing! I may not enjoy every one of his songs, but it's obvious that he is brimming with talent and a lot of work went into this album. From the top notch compositions, to the masterful arrangements, to the mix of genre's in the songs - This album screams "HIT!"-

The artwork for this album "Lo Lihitya'eish" is easily one of Sruly Meyer's greatest creations. And the booklet is gorgeous. You're going to want to go to DesignsBySruly for your next photo design project, because he's the best in the business. One of the coolest features of the booklet is the notes supplied under every song. Kessin added notes from where he was inspired for each song, allowing you to feel like your personally there with him, listening to his story.

Kessin was interviewed by JMR's very own KolIsha in Country Yossi, which can be seen here. That article will give you the gist of the album.

How am I getting this review out to every so soon after the album was released? I had the privilege to listen to the album early so that I could review and get out the information on this album to you, the buyer, as soon as it hit the stores! I'm reminding you to constantly check into the Jewishmusicreport.com for the most up-to-date information in the Jewish Music industry. Also, see my blog, jmderech.blogspot.com

Tachils & HOT, MILD, COLD Meter Time!

Lo Lahitya'eish: (HOT) Crazy Israeli styled intro. Kessin's range can be heard from the start with this "bang" of an intro! Very often I hear that words don't really fit the music (you know who you are ;D), but there's a noticeable difference with this song. The mix of Hebrew and English and the meanings are fantastic. What's amazing, is the fact that the song is 5:23 long and never gets boring. Fantastic intro and title song!

Nishmas: (HOT) This song, we were privileged to hear early as an acapella version. I was not nearly as impressed with the song then as I am now. This is definitely a song that needs and sounds better with musical backup. Kessin mentions in the booklet that his inspiration for this song came from after speaking to a friend who had been through a troubled life. He told him, Nishmas is about thanking Hashem for the basics of life, not the extras.

Maminim: (HOT) A hora or salsa? composed by Kessin during a friend's sheva brachos. This song is not something to just sit and listen to, one needs to be dancing in order to bring out the pleasure of this song. So come on! Get up off your feet and break it down! My favorite parts of the song are the wordless parts; the "ay di da da dum" parts. Great ending to the song as well :)

Aneini: (HOT)What's interesting about this song, is the fact theat the music has an eerie twist to it, yet the actual song sounds like something off a Shalsheles album. A weird combo. It doesn't matter, this song is a lot of fun to sing. The second part of the song, Kessin plays around more with his voice and harmonizes with himself, giving the song a better sounding quality. For me, this song is more fun for me to sing then to listen to.

Nekudos Toivas: (HOT) Why does this song start off with a stereotypical rap sounding "ya! woo!"? Regardless, it works and it's a intro I've never heard, yet enjoy. The beauty of this song is it's simplicity and sing-ability. You're not going to find anything complicated in this song, which is what gives the song its gadlus! The shticky part, with the added lyrics toward the end (3:55) are very smooth and sweet. Sounds like something Yossi Green would do.

Niggun: (HOT) What would an album filled with diversity be without a Niggun to add to the collection? The sound of this song gives off an "around the campfire" feeling. The music is gorgeous, especially the violin work starting at 2:45. The harmonies following the violin piece spice up the song. It goes from "just another niggun" to a "geshmake niggun".

Refueini: (MILD) Kessin chooses a Chassidic pronunciation for this song and uses Yiddish as well. Kessin composed this song while by an ill young man's bed side. While the song lacks in an amount of different words, it makes up for it in depth. You can feel the heart in this song when he screams out "Refua Shelaima!" (Heal Completely!).

Beitin: (HOT) Motti Illowitz lended a hand in this song with lyrics. Kessin writes that he decided he needed a song with some rhythm and that's where "Beitin" comes in. It sounds very much like a Shloime Dachs song; perhaps Bayom Hahu from Dachs's Avinu album? Regardless, it's way better than that song. 3:59 is amazing! Listen for when he slows down the song for a little bit, it adds some spice.

Generations: (HOT) This song is composed by Yossi Toiv, originally for his zaidy, now with Shua's help, the lyrics are directed more towards all of Klal Yisrael. The guest child soloist is Ami Eller from Kol Noar Boys Choir. He adds some beautiful harmonies behind Kessin - 4:21 and on is beyond words. Kessin slows down the song and begins the climactic ending of the song. This is by far one of the best English songs I've heard in a long time. It's Abie Rotenberg's, Journeys caliber.

Vizamrun Loch: (MILD) This song is very Shlomo Carlebach/Eitan Katz style, with some additives. Anyone who appreciates that style of song can more than appreciate this song. Kessin has the perfect voice for this genre. The guitar strumming behind his voice throughout the song is very befitting. It's my least favorite song on the album, but I still enjoy it, that's saying something.

Bye Bye Bye: (HOT) We all had the pleasure of hearing this song already. A rocking song composed by David Kaufman. Shua uses a Chassidic pronunciation for this song as well. It really would be Bay Bay Bay, but with this change in pronunciation, it sounds like Bye Bye Bye. When I first heard this song, I'll be honest, I didn't like it. However, after the umpteenth time playing it, I fell in love with it. Now I can't stop singing it, just ask my wife. She was going to send me "bye bye bye" if I didn't stop. :P A terrific song to close up a spectacular debut album.

HOT = 9

MILD = 2

COLD = 0

Conclusion:

Go to the store now! Go buy it now! Why are you still sitting at your computer now? Bye Bye Bye!!! :). You can also buy it on Mostlymusic.com through this link, Shua Kessin - Lo Lahitya'eish.

My review of Ohad Moskowitz's "My Music"

(Via JMR)

Oh! It's Ohad! For those of you who haven't yet heard Ohad, allow me to fill you in. Ohad Moskowitz is from Israel and he has thee highest voice in Jewish music. It's seriously not normal how high he can go. This album entitled "My Music" is a testimonial to his tremendous vocal range. This album is of the "simcha" genre. It's filled with old, catchy songs, and attempts to sell you Ohad as a singer for your next simcha.

I was never impressed with Ohad's albums, only because I felt the compositions weren't so hot. However, Ohad himself is fantastic! Give him the same compositions you give Shwekey and watch him go to work. This album is Ohad's time to shine. Listen to how talented he is and bask in the presence of this gift of a voice that Hashem bestowed upon him.

Does he shine? Read on and find out!

I'm going to include a "SKIP" or "HEAR" next to each track to let you know my thoughts on whether or not I believe it's worth it to listen to that particular track.
Boee - (HEAR) There aren't many words to this song and I find it interesting that he started off an album full of fast songs with a classic slow song. First of all, the music in this song is terrific, as it is throughout the album. The arrangements are top notch and he kicks tuchus in this song! 2:23 and on is WOW! This is by far the best I've ever heard from Ohad.

Binyan Adei Ad - (HEAR) Everyone's favorite recent Lipa song is now in Ohad's hands. He sings it with a litvak's accent instead of the traditional chassidish accent. To tell you the truth, I like it more than Lipas. Hear him go crazy at 1:41 and on. Also, if you notice at 1:55, he uses MBD's "Usid" beat.

Shabichi - (HEAR) YBC time! The child soloist he chose for this album starts out on this song. His range appears to be as high as Ohad's - scary. The backup choir is amazing at the end of the track as well.

Ma Ma Ma - (SKIP) I'm so sick of Ma Ma Ma... hehe. No shtick in this song, just pleasant if you want to hear Ma Ma Ma for the umpteenth time.

Chavivin - (HEAR) This track is a chance for Ohad to get his energy out. Listen to how high he starts off the song.

Hentelach - (HEAR) Lift up your hand to your Father in heaven! He doubles his voice for the chorus of this song and it sounds great! Oh my gosh... Listen to 1:18, ridiculously good.

Kel Haodaos - (HEAR) Why is he starting off a Fried song with the music of Donna Summer's "hot stuff"...?(Don't ask how I know that song...) Regardless, he does an incredible job with this song.

Stop! - (HEAR) Why does this song start off with the music of Michael Jackson's (Baruch dayan HaEmes) "White & Black" song? This song is a little ridiculous, but Ohad sounds great. And it's cute how he ends the song.

Vihee Sheamda - (SKIP) It's not as good as the other versions of this song, but it's alright. He does have some nice Yeedle "Lakol Zeman" style guitar in the background though.

Odecha - (SKIP) Awesome electric guitar and a very short track.

Al Naharos Bavel - (SKIP) I feel like this song is better with a kids voice. Meydad Tasa is definitely the king when it comes to this song.

Vezakeni - (SKIP) This switching fast to slow songs isn't working so well. Something about the beat in this song during the low part is off. The choir harmonies are nice though.

Lecha Keli - (SKIP) Great musical arrangements - The downside is that there is no chance for Ohad to go crazy in this song.

Sheterachameni - (SKIP) :(

No Jew - (HEAR) Yeehaw! The intro music is like "The Farmer in the Dell"! Ohad is terrific in this song! A nice pickup after a bunch of terrible tracks.

Anovim - (HEAR) This version of Yossi Green's "Anovim" is faster, more pumped and Ohad goes crazy with the word "Omed". The music is once again terrific and Ohad does a solid job with this instant classic.

Yiftach Beamov - (EH, YOU CHOOSE) Acapella introduction and some killer keys! The actual song is nice as well. It's not such a great Ohad styled song. The words seem as if they are squeezed too.

Bayis Neeman - (HEAR) Ohad pulls a Yisroel Werdyger. He rocks this Illowitz composition. It's perfect for his voice and he throws in some nice shtick that enhance the song. After hearing this, I wish the original was on an Ohad album. The only problem is, he skips the "No Problemen" part. I love that part!

Matzliach - (HEAR) Ohad's versions of chassidish songs gone litvak continues. Ohad was stunning with Fried's "Aderaba", so why not "Matzliach"? Surprisingly enough, Ohad nails this song on the head. I think it's possible that Ohad is better then Fried at his own songs.

Niggun Americe - (SKIP) This track is mostly choir. Where's my Ohad!?

Kol Rinah - (SKIP) The last ten seconds of this track rock!

Mareh Cohen - (SKIP) The choir is too low in this track in comparison to Ohad. Ohad himself, handles the song well.

Ashrechem - (HEAR) It's a cool song, but Ohad sounds a little funny singing it. However, the high part is sensational! That's the "Muh Ohavti" part.

Es Dodi - (HEAR) Ahh, Baruch Hashem. Sefardi style. This is where Ohad shines! Some great sefardi chazzunos on this track. A great intro the the next section!

Rak Tefillah - (HEAR) More Avraham Fried! From his Rak Tefillah single that he released to all for download. Ohad is "WOW" on this track. I would like to see Fried & Ohad duet on this song.

Vaichun Am - (HEAR) Electric beginning. A great hora track. 1,2,3, kick left, kick right!

Elokim Sheli - (HEAR) Fast and short track. Great vocals & an amazing filler and then some!

Nigun Yishai - (SKIP) Only choir again.

Kinor David - (SKIP) The recording of the child soloist on this track sounds muffled. The music is however, fantastic once again.

Mabruk Alek - (SKIP) Not my style song. However, those who like hardcore sefardi music may enjoy it.

Yabbai - (SKIP) Same as last song.

HEAR = 17
SKIP = 14
EH, YOU CHOOSE = 1

Final Verdict:

There are a lot of new albums out there. If for some reason you really want a simcha album and you love Ohad, then by all means, go buy this album. When you compare it to Project X 3 & Non Stop Lipa, it just doesn't hold up. However, the first part of this album is really sweet!

My Shwekey 5 Review

Shwekey is back! and has delivered us with an album of 13, yes, that's right, 13 songs! 12 new and one older one re-recorded and remastered.

Once again, I will use the HOT/MILD/COLD system for my take on the songs.

Areivim - (HOT) Shwekey is back! This Yitzy Waldner composition is just the thing to get you back on your feet. The mix of quality arrangements and Shwekey's ridiculously high range is sure to get the blood flowing again! My favorite part is his transition from the refrain to the chorus when he says "oy BaTorah!". Listen for it a few times during the course of the track. My one issue with this song is it could have used about four less "Zeh klal gadol batorah" parts. The song is dragged on a bit. And by the way, 4:30 until 4:51 is "Shwekey gadlus".

Tshuva - (MILD) The multi-talented master composer Yossi Green lends a hand with his composition and vocals in this first traditional slow song on the new album. Truth be told, I've heard way better Yossi Green songs. It's very repetitive and would have been a bore if anyone but Shwekey sung it. It definitely has heart in it, but it's barely beating. Bold words, I know. But after listening to this song multiple times, it's still not giving me a g'shmak.

Veshochanti - (HOT) Wow! What an amazing introduction to this song! This is a song that Shwekey should be opening his concerts with. I wouldn't be surprised if we see just that. My question is, how many times can you say the word "Nu" in a song? If anyone wants to count it up and post it in a comment that would be so great and pretty funny! :) Back to the song: There's no intricate pattern to the way this song is handled, it's just a good song to get the crowd on its feet.

Mimkomcha - (HOT) Waldner is back again! And lately he has been on fire. First, he did almost the whole Avodas Tzedaka album (Shloime Kauffman) which was full of amazing songs and now this is his second song on the album and it's just as good as the first (Areivim), if not better! It's style is very similar to Min Hameitzar from Avodas Tzedaka. How? The way the song takes a 180 degree turn when the chorus sounds like a different song. Here's a fun fact: The chorus has the same chords as most Gerstner songs. Want proof? Try singing the beginning of the chorus of "The Chevra's" "Lecha", slowly to the chorus of this song. Sound similar? ;)

Natzliach - (COLD) S'fardi time! However, when you have previous s'fardi songs such as, Halo Yadata, Ata Shomer & Ki Hatov to name a few the bar is high. This song doesn't quite reach the bar in comparison to the songs previously mentioned. Craziest part is that this song is composed by Baruch Levine. Not the person you'd expect to compose a song of this genre. In fact, I wonder if Shwekey changed it from its original state. What would it have sounded without the sfardi pronunciation? Oh great, first I dislike Yossi Green's song & now Baruch Levine's. This can't possibly end well :P

Ovinu - (MILD) This song is composed by someone I've never heard of: Shimon Swiatycki. It's chorus has the familiar words "Ein Od". Hold on a second, did Shwekey think he could pull a fast one on us? He just used these very words in "Ki Hashem" from his most recent album. That song was through the roof in goodness. So when I compare this new song to "Ki Hashem" it doesn't quite rack up. However, Shwekey hit's some serious notes in this song (4:31).

Ad Bli Dai - (HOT) Another Waldner song and the title track of this album. The intro feels like I'm listening to a broadway play (not that I've been to any of those, of course :P). The refrain is catchy and the chorus is even juicier! You can expect to hear these songs during second dance at a chassuna near you!

Illon - (MILD) A Yochanan Shapiro composition! Who is he? A member of the Acheinu group and composer of Shwekey's famous "Im Eshkacheich" from his "Yedid" album. The beauty of this song is its sing-ability. That's something you can't usually say about Shwekey songs. They are usually out of a normal persons range, but this song is a good song for all. Shwekey, of course, takes it to the next level and goes on keys higher than need be. However, he does make the song better with the keys he chose.

Menagen - (COLD) Classic Freilach. Enough said.

Tzadikim - (HOT) This song is filled with hartz. For a style comparison, think "B'soh" from Shwekey's "Yedid" album. In other words, it's "Shwekey Chazzunos". The lyrics are about the reason why Moshe Rabbeinu's gravesite was hidden from mankind. The reason is, if we were to find it and daven there, Moshe would arise and daven for us and it would end our golus. Why? Because the powers of a tzadik in shamayim is greater than when he was on earth. However, we still beg or tzadikim who have passed on to answer our pleas and daven for our redemption. I wrote a summary of the meaning of this song, because it makes the song all the more greater when you understand it.

Asher Boro - (HOT) The intro to this song is almost the same as "Ad Bli Dai". Think "Hiney" from Shwekey 2 when you hear this song. However, what makes this song better than "Hiney" is the middle part of the song (Siman Tov U Mazel Tov). Listen to this part to get your heat pumping. A great song for the treadmill! Start out at a normal pace and then go faster by the middle and slow down again for the high. I'm JMDerech and I approve this message.

Music of Forever - (MILDLY HOT) An English song! It's no "Shema", "Tatte" or "Mamma Rochel" but it has it's good parts, er, part. I like the song from 4:21 until the end. This part of the song is pure gadlus. Listen to the notes that Shwekey hits. Especially when he says "Lasts" at 5:01. Then "heart" at 5:14 and "forever" at 5:26.

Vehi Sheomdoh - (HOT) Everyone's favorite song from "Shwekey in Cesaria" is back and redone without Razel's vocals and the crowd in the background. In my opinon, this version is way better than the concert version.

HOT = 7
MILDLY HOT = 1
MILD = 3
COLD = 2

Final Verdict:

This is a must buy for all Shwekey fans and Jewish Music fans in general. It's definitely not his best album. For me, that was "Yedid". However, it's Shwekey people. How can you not buy an album from the best voice in Jewish music? He can make any song sound good. It's a gift of his and baruch Hashem we have the ability to listen to it on CD and MP3. GO BUY IT NOW BY CLICKING HERE!

My YBC4 "Sh'moy Shel Melech" Review

Yeshiva Boys Choir 4 – Sh’moy Shel Melech (The Brady Bunch)

I know KolIsha already put out a fantastic review of YBC4 already, which can be seen HERE, but it's always good to have a second opinion and that's what I'm here for!

When I first saw the album art a couple months back, I was cracking up. It brought back memories of “The Brady Bunch”. A TV show I used to watch as a kid (TV? Nu, what’s a TV!?) Google it to find out why it reminds me of it. Otherwise, the album art is actually pretty cool.

This fourth album was delayed a couple of months for monetary reasons, as reported by Eli Gerstner. They felt it would be better to release it now when children are getting back from summer camp. So you can thank Gerstner for having your children run up to you yelling “Mommy! Mommy! There’s a new Yeshiva Boys Choir in stores! Let go buy it now!” But hey, it’s better for them to spend their time and your money on kosher music than with action figures or baseball cards (Though, they will probably ask for those too!). Don’t worry, the album was worth the wait. It is a solid album and will be playing on your iPod/CD player for the next month or so.

For those of you who follow my blog (jmderech.blogspot.com) you’d know that I just recently got married. So, I’d like to thank my wife for allowing me to write this review in the car on the way to my parents on a Friday afternoon instead of making conversation. Although, music can be a great conversation starter!

Note: I added a HOT, MILD & COLD meter for each song, which will tell you what I think of it in short. Enjoy! :)

Sh’moy - (HOT) No better way for YBC to start off their long awaited fourth album then with an electric solo in the beginning; “Shpitz Gerstner”. Tani Martin is the star of this song, as he is with almost any song he sings. His voice is in my opinion, the best all-around voice in the choir. Gerstner promised this song to be the next “Kol Hamispalel, V’ohafta, Shabichi” and he delivered. This song definitely out does V’ohafta and Shabichi. Kol Hamispalel is a little hard to beat. The only downside to the song is the ending. It’s a bit to abrupt for my taste.

Hamalach - (HOT) First off, I can’t possibly rave enough about this song. It’s for sure not your typical song with a “Yiddishe taam”, but it is a gorgeous composition, and in my opinion a masterpiece. I love how the song convinces you that it will be a slow song throughout but then switches to a faster tempo halfway through. Don’t try going to sleep to this Hamalach, it’s too good and will keep you awake for a long time after you turn it off! You’ll be laying in bed humming it while your wife asks you to “be quiet!” for the umpteenth time.

Atah Kidashta – (HOT) This is quite the catchy tune. The low part is similar to “Malachim” from YBC 1. You’ve got to love how the drums stop and go to the tempo of the lyrics in the beginning, which is followed by a beautiful duet. The choir harmony behind new soloist Aron Kogan (who has a terrific voice) is fantastic. The “Na na” solo brings me back to memories of Yehuda Leib Saks. It sounds very similar to the way he sang. All in all, this songs can be defined as a success.

Oz V’hadar – (MILD) This is the first time I’ve heard these lyrics to a song. Finally, a different part of Aishes Chayil used. In the words of my wife, “it’s a very calming and soothing song”. Towards the end of the song, the choir quickly switches off with a very cool sounding violin. And of course, the song ends with another “crazy high Gerstner key”.

Baruch Hashem – (COLD) My wife and I feel like this song could be a background to some video game. This song can be most compared to previous YBC songs like “Yiru & Milayim Ziv”. I’m not a fan of the song, but you may be! There’s just not much to the song besides crazy electric guitar.

Derech Sheker – (HOT) Adon Olam, Hadrichayni, Al Hakol. Why mention these? It’s another one of those relaxing Yossi Newman compositions that stands out on each album. The star of this song is Akiva Elbogen. I love it when they use him as a soloist instead of a crazy background harmony. However, there’s one down side to this song. The part of the song after Elbogen’s solo is completely pointless and has nothing to do with the song. However, it doesn’t ruin the song. And Yehuda Turner’s ending to the song is quite cute!

Torah Tziva – (COLD) Think Kel Hahodaos from YBC 3 when you hear this song, only not as good. It’s fast paced and has too many words crammed into one part. Usually they save this style song for the last one on the album. I call it the “flop of the album” on each YBC album. I was never a fan of any final song on the YBC albums, but if you read on, my view has changed with this album.

Min Hameitzar – (MILD) On every YBC album, Eli Gerstner is featured and this is his song of choice on this album and may I add, Eli Gerstner sounds great on this song. He doesn’t overdo his shtick and sounds as good as he did on his Henei album. This song has terrific arrangements and it’s done by none other than renown musician Yisroel Lamm. There’s a very somber tone to this song in the refrain, but in the chorus the tune switches to a more uplifting note.

Simcha - (MILD) Oh no! The creepy laughing song! Every time we reach the laughing part my wife makes me turn it off, so I have no idea what the rest of the song after that part sounds like. This song is about making you happy, but it doesn’t do that for us; it makes us scared! No, but jokes aside, it’s a fun song if you can ignore the laughing. It’s their new “Booraich/Koo Moo”. In other words, I can see the choir juggling and dressing up for this song. Just beware of the creepy laugh!!!

Kah Ribon – (HOT) This is by far the best “final song” among the 4 YBC albums. If you listen closely, it has similarities in common with Menucha Vesimcha from Menucha. The mix of soloists is perfect & how befitting for the star of the album, YM Gerstner to finish the album with a classic “Gerstner, belt it out” part.

Final Score

HOT = 5

MILD = 3

COLD = 2

Final Verdict

Overall, this album is way better than YBC 3 and I can’t wait to hear these new songs in concert. Stop by you local Judaica store and pick up a copy if you can, because the Judaica store by me was sold out!

Shloime Kaufman - Avodas Tzedaka Review

(Via JMR)

Avodas Tzedaka is a 12-track album featuring the vocals of Shloime Kaufman, as well as guest vocals by, Baruch Levine, Michoel Pruzansky, Dovid Gabay, Abie Rotenberg, A.K.A. Pella & Shalom Jacobs. With this star-studded cast, the potential for greatness is limitless. And one more really cool note: The music on this album was done by Tony Coluccio, someone who has NEVER done Jewish music before.

Shloime Kaufman (see pic above) debuted on the Emes albums. However, being this is his solo artist debut, he is reborn as a new singer. So many new singers have put out debut albums recently that it’s become hard to pinpoint one really solid singer from the bunch. However, with Kaufman it’s different. There’s no question about it, Kaufman has an amazing voice and his potential is through the roof. He can sing high without sounding kvetchy and low without sounding gruff. Not only that, but he displays his vocal capabilities with the variety of different styled songs throughout the album.

Zman Chazara (Review Time)

Avodas Tzedaka – Composed by Yitzy Waldner

Kaufman nails the perfect introduction here. The music is very similar to that of “Al Tira” on Oorah’s 2009 “The Shmorg” album. That intro was amazing as well. It’s also a similar style. Short song; Fast; and lots of electric guitar. Kaufman’s voice in this song is crisp and incredibly controlled. Shloime Kaufman, where have you been!? I’ve been dreaming of vocals like yours (well not really… but he’s really good!). A typical, yet perfect addition to the song the second time around (1:22) with a single harmony. And the third time around (2:33) with a choir harmony. Perfect! This song clearly had a lot of effort put into its arrangements. Yasher Koach to those who worked so hard on it!
Shtick – (1:22 – 1:45) The single self-harmony is great and make sure to catch the “Hey!” part.

Yigdal – Composed, Arranged and Performed by Baruch Levine

Baruch Levine. Let me be the first to say “Woohoo!!!!!! Baruch Levine!!!!” Okay, anyway, Baruch Levine’s vocals are a welcomed addition to any song, especially this one, composed by him (of course!). This song, which I will bravely compare to Vizakeini, is amazing. This song will be played as chassunah dinner music; I guarantee it! Just listen for yourself. The song has Levine’s trademark eidel style written all over it. Levine sings the first part of the song, and the second part is taken over by Kaufman. It’s very hard to sing a Baruch Levine song as well as him, but Kaufman surprisingly does a fantastic job with this sure to be classic. Kaufman even sings like Levine. Listen to how he says the word “Sof” (3:20) he adds the “w” sound, making it “Soowof”. Baruch Levine adds some gorgeous background harmonies for Kaufman (3:28-3:55). Now for the real test; can Kaufman hit the keys like Levine did on the chorus? Not as good, but still terrific. Baruch Levine goes all out (4:53) and Kaufman joins in, completing the perfection of this song.
Shtick – (5:21 – 5:26) Baruch Levine’s high double harmony

Kol Yisroel – Composed by Yitzy Waldner – Performed by Michoel Pruzansky

This folks, is a typical Michoel Pruzansky song. Pumped beyond belief, with tons of electric vocals. Pruzansky takes the first part of this song, singing in his trademark “pumped” style. The electric at (1:06) is a bit overdone for my taste. Kaufman joins in during the chorus and you’d think he wouldn’t be able to perform such an eidel song as Yigdal and then perform this club beat Kol Yisroel. But he does, and he does it well. One thing is for sure; the pair, Pruz and Kaufman, makes for an amazing team. Listen for some craziness (2:48) and a little fake-out (3:07). Zeh Lazeh, Zeh Lazeh, Zeh Lazeh Lazeh... so addictive.
Shtick – (3:26 – 3:42) Pruz and Kaufman go all out. Make sure to listen for Kaufman’s “Gerstner” harmony (3:34 – 3:38).

Min Hamaitzar – Composed by Yitzy Waldner – Performed by Dovid Gabay

This song is a bit unorthodox. It’s a slow song with a very interesting chorus. The way the chorus is “cried out” is very interesting, and new to me. It’s not my favorite style, but it’s not terrible. The middle section of the song starting with “zeh hayom” is my favorite part. Kaufman sings the song the first time around and his vocals are terrific once again. The second time around the song, Gabay enters. Although Kaufman does a good job with this song, Gabay saves it and really brings out every note for all there worth. The third time around Gabay and Kaufman switch off and harmonize with each other, which is by far the best part of the song.
Shtick – (4:53 – End) As mentioned above, the end is by far the best part of this song.

Ivdu – Composed by Shloime Kaufman – Guest appearance by Shalom Jacobs

I want to start off by saying, that this album has a huge range of different types of music. This song sounds like a R’Shmuel Brazil (Regesh) composition. We’ve gone from rock to eidel to electric to slow rock, and now we have this classic yeshivish song. This is the type of song where no particular part of the song stands out any more than the rest. It’s a sweet kumzits composition. It’s easily singable, with plenty of “La la’s”.
Shtick – La la la la la… I dunno, you tell me which part is the best! :)

Aishes Chayil – Composed by Yitzy Waldner in memory of two N’shei Yisroel.

It’s no Shwekey aishes chayil, but it’s still a wonderful composition and would sound great by a chassunah. Kaufman sings this one by himself. My favorite part is during the chorus from “He Tishalel” until “Masehuh”. The music throughout the song flows beautifully and the best part about it is that it’s not overdone. I’m sure the women that this song was composed for are smiling up in shamayim. I know I’m smiling down here on earth!
Shtick – (4:44 – 5:08) Beautiful, pumping music added to the song here

Vyisku – Composed by Baruch Levine

Woohoo!!! Another Baruch Levine composition! (Can you tell I like his songs?) Although Levine doesn’t sing on this song, Kaufman does an outstanding job. It’s got the same “happy-go-lucky” chords that Baruch Levine throws on his fast songs (Sholom, Higid etc.). Hopefully, every album has a “gishmak” styled song on it. What do I mean? There are certain happy moments in life that you remember perfectly. For instance, jumping in a pool on a hot summer day; having the last scoop of ice cream; completing a task that you worked tirelessly on. Those are defined as “gishmak” moments. This song brings back those “gishmak” memories :). Here’s a cool note; compare this song to V’al Kein from Yeshiva Boys Choir 1. Very similar tune!
Shtick – (1:28 – 1:40) Smooth sounding voice over harmony.

Habita - Composed by Yossi Muller – Performed by A.K.A. Pella

Well folks, we’ve spotted it! The best song on the album composed by someone I’ve never heard of! Maybe it’s A.K.A. Pella’s voices on this song that makes it so good. I’m not sure, but it’s easily the best song on the album. Kaufman sounds terrific on this song and A.K.A. Pella’s harmonies are flawless. Just sit back and turn this song on repeat. Listen to it over and over, because I guarantee you won’t get sick of it. The second time around A.K.A. Pella inserts their digitally mastered harmonies that they use on all of their albums to fill the background of the song. Habita Aneini! (Sorry, I had a singing moment). Anyway, don’t miss a note of this wonderful song; you’ll regret it. Here’s another cool note; compare the chorus of this song to the Yeshiva Boys Choir’s Korov Hashem. Can ya hear it?
Shtick – (4:30 – 4:43) The way the harmonies here switch back and forth from the left to the right speaker is fantastic.

Sunshine in the Rain – Composed by Yitzy Waldner – Lyrics by Bella Levitan – Performed by Abie Rotenberg and Cast

The lyrics on this song are fantastic. They were composed for A T.I.M.E. And they explain the life of childless parents. Exactly what this organization is trying to help. It’s sung by the whole cast and they do a terrific job with it. Got to love hearing Abie’s voice on an English song, after all, that is what he does best!
Shtick – (2:50 – 2:53) Pruz’s quick falsetto piece

Sameach – Composed by Yitzy Waldner

How can I describe this song? Funky? Crazy? Nuts? I don’t know, but it’s definitely different J. It sounds like something that I would expect to hear on the Kol Noar Boys Choir. I was half expecting it to be composed by Mo Kiss. Waldner definitely has a wide range in his composition ability. My question is why didn’t they bring Mo Kiss in for guest vocals? (“So Beautiful!”) :). Well, regardless, you have to listen to it yourself to understand the song. I can’t describe it in writing. If you want to come see me dance to it, then that may give you and idea!
Shtick – Every Ba ba ba badadada!

Yevarechicha – Composed by Yitzy Waldner

The music in this song makes me feel like I’m floating or that I’m in some sort of dream sequence. Regardless, it’s a nice lullaby. The music and vocals are very sweet and soft on the ears. It’s not a catchy song but it’s a great listen. The double harmony the second time around (2:34) is quite serene. I feel like this song should be playing for a baby while he or she is laying in their crib. Where’s my pacifier!? (Ya, I’m strange, but this is what happens when you spend a lot of time around little kids).
Shtick – (3:32 – 4:09) The la la’s sound like something out of nursery rhyme. Hehe!

Sunshine in the Rain (Acapella Version) – Performed by A.K.A. Pella – Featuring Shloime Kaufman

They go above and beyond the call with this bonus track. You pay for 11 songs and a good 12th song is thrown in to the mix as well. And it’s not some mediocre song, it’s a quality remake of Sunshine in the Rain, but completely vocal. I actually like this version better than the musical one. A.K.A. Pella is way too good at what they do. The beats, the harmonies, the melody, they’re all so smooth and perfect. What a perfect song to end the album with.
Shtick – (2:49 – 2:56) Kaufman’s high harmony is amazing here

Final Verdict

Avodas Tzedaka is cram packed with at least 9 out of 12 solid songs. Which means that the majority of the album is great! We yidden rule by the rov (majority), so in my opinion, go out and buy this album! Not only will you be getting your money’s worth, but you will also be supporting the A T.I.M.E. organization, which “offers advocacy, education, guidance, research and support through our many programs to Jewish men, women, and couples struggling with reproductive health and infertility.” 1 Surely a worthy cause! Go buy it now! Go Go GO!!!!!! :)

1 A T.I.M.E. (http://www.atime.org/mission.html)

Miami Yavoh Review

Let me start out this review by saying how impressed I am with this album. I had all but lost faith in the Miami Boys Choir after 1999’s Stand Up album. So when Yavoh was recently released, I was like “here we go again…” To tell you the truth, I’m not a fan of the preview Aderet threw on their website. They’re C quality clips. How are you supposed to sell an album like that? I guess they figured its Miami, who’s not going to buy it? Well guess what? They were right; I bought it anyway. Anyway, enough yapping! This album is a quality production. On this album, Begun transported the listener into a “time capsule”. The songs are a mix of classic Miami with some contemporary pieces as well. The combination delivers a “blast from the past” mixed with “Bam! In your face!”

The Soloists: Bless you, Yerachmiel Begun for picking solid soloists this time around. There are no voices that make me want to shut off the album and that’s huge for me. The “Miami Ensemble” on Ba’avur is brilliant; kind of gives you that Shalsheles Jr. effect (whoops! did I just mention a competitor?). Of course, you can’t forget the brilliant “Group Harmony Team”, which is something I haven’t seen Miami do, but have seen on the Shira Chadasha Boys Choir (I’m gonna get in trouble for this!). It adds a “shticky” touch to the songs, giving them the fullness they needed.

Arrangements: And now announcing the Miami Boys Choir arrangements All-Star Team. Moshe Laufer, Yitzi Bald, Yisroel Lamm, Yerachmiel Begun, Leib Yaakov Rigler, and Mona Rosenblum. Sweet!

Z’man Chazara (Review Time)
Okay! Less talking, more reviewing!

Ayoim V’Norah
Arranged by the brilliant Mona Rosenblum. This song gives you that “blast from the past” feeling that I was talking about. The arrangements are flawless, the lyrics flow to the tune, and it’s an all around amazing intro song. The song is classic Miami. In other words, the choir sings the song once through before the soloists come in. At 2:14-2:22 listen for the amazing group harmonies this album is filled with. At 3:12 there is a great musical interlude, followed by a cool Oy Gevalt shtick starting at 3:37. Begun comes in at 4:32 and for the first time in Miami history, I don’t mind it a bit. I always thought he took away from the songs, but this is a short and simple piece that enhances the song. This song is Mammash A’ Gevalt! =)

Me’im Hashem
Every Miami album needs an English song. I haven’t liked any of them since 1995’s One by One. Well, there’s been a change in events. This song is a solid English song; I like it! Begun has always done an amazing job with the lyrics, but the melodies haven’t been so hot. This time though, the lyrics and the melody flow beautifully together. Yisroel Lamm arranged this song, and did an amazing job. Each part of the song has the perfect voice to accompany it. Begun’s harmonies at 5:00 until the end are (speechless). Ya, they’re that good.

Yavoh
This is by far my favorite pick for this album. Arranged by Begun, the music sounds like something off of a Super Mario game (Ahh! Secular influence! CHEIRIM!!). This song is great to exercise too or really to do anything too. Okay, at 2:18, if you don’t listen to this, you basically missed the “sweet candy center” of the song! The soloists voice is amazing and the Group Harmonies are back in full blast. The duet at 3:13 is super sweet. Which is followed by a “Baruch Hagever” (Lev Tahor) harmony at 3:26. At 4:10 the group harmonies come back in blowing you away. You walk away from this song wanting more. This is what every title track should be like. Yasher Koach, Yerachmiel Begun.

M’heiroh
Arranged by Moshe Laufer. I’m surprised Begun picked these lyrics, because the last M’heiroh from the Klal Yisrael Together album is classified as a hit (at least, so says Aderet) and its like playing with fireworks trying to outdo a hit. Regardless, this song has gorgeous piano on it. The song is nothing to jump out of your seat over, but it’s still good, especially with Begun’s new group harmony team (I’m telling you, these kids are great). At 5:05 the soloist does a very nice job. But the real star here is the soloist at 5:35. Listen for yourself =)

Boreich Oleinu
Yitzi Bald (hey! Where’s his choir?) and Begun arranged this song together. The intro to this song gives you that ominous “We must accomplish the mission!” feeling (Ya, I know, I’m a little crazy). This song is rocked up, but not overly rocked up. At 2:07 the “Ahh” shtick is very cute. This song really gets good at 3:22. The soloist reminds me of Miami alumni, Yosef Schick (amazing voice). The music become relaxed at 4:26 and this is the most gorgeous part of the song. Begun comes in at 4:50 and once again he really adds to the song. You know what it is? He’s no longer dominating the songs. His voice now has that gruff feel to it and has become an impressive enhancer. You know what? I retract my previous statement on favorite pick. This song is easily equal to Yavoh if not better.

Galei
Moshe Laufer returns two tracks later with these arrangements on Galei. Another ominous intro; it’s so incredibly random… It makes me feel like I’m soaring, kind of like Kol Noar’s Baruch Hashem (that was a cool intro) without the techno beat of course. I can’t put my finger on what classic Miami song this sounds like, but the music sounds like a repeat. Regardless, it’s good music. Wait a second! This is Ki Heim Chayenu (B’derech Hatorah) music (my mother agrees, so take that!). Anyway, now that we got passed the intro, I have to say the coolest part about this song is the chorus when they say “Hey! Galei, Galei, Galei”. There’s nothing that jumps out at me about this song, but it’s a good listen and definitely not a waste of a track.

Esa Einai
Zzzz… No, I’m not falling asleep because it’s a boring song, it’s just the music is so serene. I could totally see myself sitting in a recliner, sipping tea, and relaxing to this song. Begun arranged and Yisroel Lamm orchestrated the music and they did a great job making this song, not in your face. There’s no screaming voices or loud trumpets, its just gorgeous! The harmony at 2:57 is very sweet. This song is so relaxing; I think I’m going to go take a nap now…Zzzz.

Ba’avur
Whoa! So much for napping; this is a 180-degree turn from the last song. Begun and Yitzi Bald arranged this song, and put in a nice electric guitar intro like M’leim (YBC) or Vihoer (Shira Chadasha), very cool! (By the way, yes I do get a kick out of mentioning the competition; it keeps me honest!). The Miami Ensemble sings this song. The best part of this song is the “Ooo, Ahh” shtick. The song gets really good at 2:44 and on. If you skip to the ending, starting at 5:00, the words switch to Eitz Chaim and it’s very shticky, a great way to end a song.

V’seiroeiv
This song, arranged by Moshe Laufer, starts off with a gorgeous round of piano playing and strings. It sounds like a song that would have fit nicely on their “Around the Campfire” album. I’m not a huge fan of this song but there are definitely those out there who will enjoy this song. I do feel this song is a bit too long (8:13). But, hey! It’s for sure not a bad quality song! I return to my previous conclusion; this song would sound really cool without the music, as an acapella song. It would have kept it short, and given the Group Harmony Team a chance to show off their acapella harmonies! (Hint, hint).

Zman Simchaseinu
A classic freilach arranged by Mona Rosenblum! I can see this being sung at Simchas Beis Hashoeiva’s in the future; a lot of crazy men dancing, a little drinking (only a little!), the “to cool to dance” guys on the side playing with their cell phones. What a picturesque thought… Anyway, the soloist at 3:42 is amazing, especially with the harmonies behind him. The “oy oy oy” harmony is very cute. Don’t miss the song from 4:07 until the end. It’s a lot of fun. And from 4:35 and on is hilarious!!!

Azor Noh
This song is sung entirely by Yair Kenig. It’s been a while since he gave an entire song to a child. My favorite? 1984’s B’syiata D’shmaya sung by Jonathan Paley. The key element of this song is the amazing instrumental pieces (Leib Yaakov Rigler, you’re the man!). As for the soloist, Kenig has a gorgeous, powerful voice. The way he whines with some words only enhances the tremendous impact of the song. Usually you don’t want to hear your kids whine, but when they’re good at it, let em’ whine away! Starting at 3:42 the song shines in all its glory with the added harmonies. This song is a great way to end an album. It takes you out with a spiritually uplifted feeling.

So what’s the Maskanah (verdict)?
This album is a must buy, not for only Miami Boys Choir lovers, but for everyone! That’s right, you! You, the person reading this really long review! Go out and buy it now! Here, I’ll even help. Help yourself to a link and go!